Tag Archives: Murray Lightburn

Julia Jacklin’s ‘Crushing’ Is Aaron’s Top Album Of 2019

Julia Jacklin Crushing

Julia Jacklin Crushing

Doing an annual top albums list for as long as I have one starts to see the true value in the exercise. It’s not the ranking, codifying or picking the “best” things so much as it’s about stitching together a tapestry of one’s year and seeing the patterns that emerged.

Much like in 2018, a lot of my personal music listening energy was devoted to my Before They Die list — a meticulously curated list of musical acts I need to see before, well, y’know — and I ended up catching 12 on-the-list and 17 list-adjacent acts on top of whatever other concert-going I did.

That meant a little less energy spent on discovery. It also meant if one pattern emerged it was that there was lots of leaning on the past. I don’t mean that in the Rolling Stone Magazine-will-always-give-Dylan/Springsteen/Stones-perfect-reviews leaning on the past kinda way. What it did mean, though, was there were a lot of albums that could be argued represent new forms of things I’ve enjoyed in the past.

Read below to see the patterns that emerged.

Bubbling under for 2019: Abjects, Geoff Berner, Sondra Sun-Odeon, Mimico, Jacques Greene, King Gizzard, De la Noche, PUP, Wargirl. (Also, Thus Owls’ The Mountain That We Live Upon probably would have been my #3 but it came out in Sept. 2018 and that was just too 2018.)

10) Mercury Rev — Bobbie Gentry’s The Delta Sweete Revisited

The best part of an album isn’t always the album itself, so much as the sense of discovery around the album. Mercury Rev redoing Bobbie Gentry’s The Delta Sweete with a cast of guest vocalists not only serves as a wonderful intro to Gentry, but also makes a wonderful entry point for contributors like Margo Price, Carice van Houten (Melisandre from Game of Thrones can sing?) and Phoebe Bridgers.

Hear “Sermon” ft Margo Price

9) Angel Olsen — All Mirrors

Sometimes when I play Fantasy A&R Man the best idea I can come up with is “a new Connie Francis… but goth.” There are points on Angel Olsen’s All Mirrors where she comes this close.

Watch “All Mirrors”

8) Murray Lightburn — Hear Me Out

I’m a firm Dears loyalist and might consider them my favourite Canadian band. However, my acceptance of their transition from an early days chaotic bombast machine to something with more dignity and refinement has been hard won. So it was a touch surprising that Lightburn lead singer Murray Lightburn’s bombast-free second solo album would strike so deep. What Lightburn gives us — “I Give Up” is a soul ballad from another time, “I’m Not Broken” has knowing gospel touches — paints with just enough different colours to enthrall.

Watch “Changed My Ways”

7) Rustin Man — Drift Code

This record is quite literally the output of a wobbly old weirdo who spent two decades building a science project in his back shed. Read my full review here.

Watch “Judgement Train”

6) Tallies — Tallies

It’s been a slow and not absolute process, but I’m on my way to divesting from Morrissey because of his terrible politics and worldview and middling late-period music. Having an act like Tallies and songs like the jangle gem “Midnight” help soften this transition.

Watch “Midnight”

5) Deadbeat Beat — How Far

If you like Sloan’s Jay songs you’ll love Deadbeat Beat’s How Far. I’m particularly partial to “Dim Bulbs.”

Watch “You Lift Me Up”

4) Michael Kiwanuka — Kiwanuka

This new Kiwanuka album is exquisite — a majestic, soaring, hands-held-high sermon from Mt. Soul. The brilliance of the individual bits of this record are only half the story, though. The other half comes from basking in the glow of the brilliant craftsmanship. Kiwanuka is a master of his domain and to be able to witness such excellence is its own type of reward.

Watch “You Ain’t The Problem”

3) Moonface — This One’s for the Dancer & This One’s for the Dancer’s Bouquet

Technically, this was a late 2018 release, but I didn’t really tweak to it until well into 2019. And yes, I realize that it’s near hypocritical to endorse Moonface while disqualifying Thus Owls, but it’s my list and my rules, so suck it.

This One’s for the Dancer & This One’s for the Dancer’s Bouquet is a fascinator. It’s two separate projects — half a delayed keyboard treatment audio experiment, and half songs sung from the perspective of the Minotaur of Greek mythology — woven together to create something otherworldly and unique. The Minotaur songs strike particularly deeply. For a giant, blood-thirsty, bull-headed beast, the Minotaur’s journey forgiving all those who’ve hurt it is one of the most genuine, better and human set of stories I’ve heard put to song.

Watch “Minotaur Forgiving Knossos”

2) Hawksley Workman — Median Age Wasteland

In the year 2019 I was not expecting to a) rate a Hawksley Workman album so highly, and b) to feel it so deeply. And yet here we are.

To be fair, I’ve always been casually fond of Workman’s dandy woodsman idiosyncrasy, but with Median Age Wasteland he seems optimized. Having the above-mentioned Murray Lightburn on production probably helped. Certainly Workman’s vocals are both torqued up and focused in ways they may not have been in the past. Where Median Age Wasteland truly stands out, though, is in the storytelling. Whether it’s the mythologizing of a snowmobile (“Snowmobile”), the joyful BMX bike gang journeying (“Battlefords”), the tributes to forgotten figure skaters (“Oksana”) or even the outwardly ludicrous (“Stoners Never Dream”), Workman takes us to fantastical places with each and every song.

Watch “Italy”

1) Julia Jacklin — Crushing

At the 4:27 mark of Jacklin’s “Don’t Know How To Keep Loving You” she delivers a series of repeated “don’t. know. how. to. keep. loving. you” lines so charged, so gut-wrenching you can’t help but worry if Jacklin will ever find her way. The entire Crushing album is filled with these emotion-charged bombs as Jacklin explores unraveling relationships, personal agency, hurt and self-healing in an unflinchingly beautiful way.

Watch “Don’t Know How To Keep Loving You”

Other album lists…

2018 Top Ten — Idles’ Joy As An Act Of Resistance. is #1
2017 Top Ten — Land Of Talk’s Life After Youth is #1
2016 Top Ten — Daniel Romano‘s Mosey is #1
2015 Top Ten — SUUNS + Jerusalem In My Heart’s SUUNS + Jerusalem In My Heart is #1
2014 Top Ten — Sharon Van Etten’s Are We There is #1
2013 Top Ten — M.I.A.’s Matangi is #1
2012 Top Ten — Dirty Ghosts’ Metal Moon is #1
2011 Top Ten — Timber Timbre’s Creep On Creepin’ On is #1
2010 Top Ten — The Black Angels’ Phosphene Dream is #1
2009 Top Ten — Gallows’ Grey Britain is #1
2008 Top Ten — Portishead’s Third is #1
2007 Top Ten — Joel Plaskett Emergency’s Ashtray Rock is #1
2006 Top Ten — My Brightest Diamond’s Bring Me The Workhorse is #1
2005 Top Ten — Black Rebel Motorcycle Club’s Howl is #1
2004 Top Ten — Morrissey’s You Are The Quarry is #1
2003 Top Ten — The Dears’ No Cities Left is #1
2002 Top Ten — Archive’s You All Look The Same To Me is #1
2001 Top Ten — Gord Downie’s Coke Machine Glow is #1
2000 Top Ten — Songs: Ohia’s The Lioness is #1
1999 Top Ten — The Boo Radleys’ Kingsize is #1
1998 Top Ten — Baxter’s Baxter is #1
1996 Top Ten — Tricky’s Maxinquaye is #1

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M.I.A.’s Matangi Is Aaron’s Top Album For 2013

M.I.A.'s Matangi

M.I.A.’s Matangi

This is my official Top Ten album list for 2013:

10. Elephant Stone Elephant Stone

One of the themes that appears to have emerged from my favourite albums this year is appreciation for the latest crop of jean-jacketed psych rock. This Elephant Stone record exemplifies that perfectly, drifting between Brit-pop and something more kaleidoscopic thanks to Rishi Dhir’s deft use of the sitar in various places.

9. Midlake Antiphon

I wavered numerous times about putting Antiphon on the list because there’s no real anchor moment that I love. But the album’s subtle Moody Blues-meets-Pink Floyd vibe has a beguiling effect and I found myself going back to it a surprising amount.

8. Murray Lightburn Mass: Light

The other major theme that appears from this year’s list revolves around adventure and experimentation. We’re not talking Wire magazine-style experimentation, rather it’s about relatively conventional musicians doing something bold and brave. The Dears’ lead singer Murray Lightburn’s album Mass:Light certainly fits that description. For a guy known for epic rock songs to switch up and make a one-man electro record that doesn’t blow is an achievement.

7. Uncle Acid & The Deadbeats Mind Control

A sludgy triangulation of early Sabbath, Vincent Bugliosi’s Helter Skelter and the Harvard Psilocybin Project, Uncle Acid & The Deadbeats’ Mind Control represented a rare spot of true danger.

6. D-Sisive The D.ark Tape

It’d be easy to pass off D-Sisive’s The D.ark Tape as another “indie rapper has sour grapes” album, but that does this record a tremendous disservice. The D.ark Tape is a diary of frustration, loss, false hope and failed promise. Through it all, though, D-Sisive remains defiant, lashing out at critics, biters, haters and anyone else in his line of fire. Which is exactly the fighting spirit you want him to have.

5. Kanye West Yeezus

I hate myself for putting this on the list, but there are so many fascinating things about Yeezus. The lyrics are ridiculous, the production borders on bizarre and Kanye’s peculiar sense of self-worth is head-shaking. But for a mainstream pop-rap album this is worlds removed from anything else that came out this year. And it’s that audacity, that oddly guileless sonic adventuring that I appreciate.

4. The Highest Order If It’s Real

For most of this year I thought The Highest Order’s If It’s Real was my #1 album and it’s only on deeper scrutiny where it’s dropped down just a bit. The cosmic Unintended-style country rock supplied here by Simone Schmidt and her gang hits all my trip-out buttons, but the individual songs are a bit less successful than the “vibe.” That said, being in the neighbourhood of perfect is still a great place to be.

3. Austra Olympia

My three favourite Depeche Mode albums are Black Celebration, Music For The Masses and Violator. Those three albums define that band and they’re the blueprint for a certain melancholy dance-your-pain-away sort of electronic music that’s just so moving. On Olympia‘s best moments I get that same swirling, twirling feeling.

2. The Black Angels Indigo Meadow

The Black Angels’ Indigo Meadow pretty much defines the term “psychedelic outlaw” music.

1. M.I.A. Matangi

M.I.A.’s  Matangi was the only album put out this year by a pop star that had any streak of rebellion. It’s actually embarrassing when you compare her to other contemporary pop stars and starlets (Bieber, Drake, Thicke, Perry, Spears, Gaga, etc). For the most part they stand for nothing. Or, at best, some conveniently benign social and/or charitable cause. I’m not 100 per cent with everything Mathangi “Maya” Arulpragasam stands for, but at least she stands up for something. She takes sides and does so without fear. I love that.

It also doesn’t hurt Matangi‘s production is so contemporary and worldly. There’s no other album I heard this year that feels this “now.”

Other album lists…

2015 Top Ten — SUUNS + Jerusalem In My Heart SUUNS + Jerusalem In My Heart is #1
2014 Top Ten — Sharon Van Etten’s Are We There is #1
2013 Top Ten — M.I.A.’s Matangi is #1
2012 Top Ten — Dirty Ghosts’ Metal Moon is #1
2011 Top Ten — Timber Timbre’s Creep On Creepin’ On is #1
2010 Top Ten — The Black Angels’ Phosphene Dream is #1
2009 Top Ten — Gallows’ Grey Britain is #1
2008 Top Ten — Portishead’s Third is #1
2007 Top Ten — Joel Plaskett Emergency’s Ashtray Rock is #1
2006 Top Ten — My Brightest Diamond’s Bring Me The Workhorse is #1
2005 Top Ten — Black Rebel Motorcycle Club’s Howl is #1
2004 Top Ten — Morrissey’s You Are The Quarry is #1
2003 Top Ten — The Dears’ No Cities Left is #1
2002 Top Ten — Archive’s You All Look The Same To Me is #1
2001 Top Ten — Gord Downie’s Coke Machine Glow is #1
2000 Top Ten — Songs: Ohia’s The Lioness is #1
1999 Top Ten — The Boo Radleys’ Kingsize is #1
1998 Top Ten — Baxter’s Baxter is #1
1996 Top Ten — Tricky’s Maxinquaye is #1

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Polaris People For August 23 (Tegan And Sara! Murray Lightburn! Metric!)

Tegan And Sara

Tegan And Sara

The latest edition of my Polaris People column is online over at the Polaris Music Prize website.

This week we saw Tegan And Sara make a new friend, Murray Lightburn release an album and Metric appear in a video.

To read the column go here.

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