I’ve been utterly transfixed by the song “Dim Bulbs,” the last track on Detroit jangle-rockers Deadbeat Beat’s new album How Far. Starting off with a crisis phone call, it quickly shifts to deep out-of-body self-reflections on front lawns, busy roadhouse parking lots and lonely night walks. It’s a cinematic, melancholic gut-punch of an album coda and it’s one that makes everything that comes before it seem much darker around the edges. To be fair, it’s not like the trio of drummer/vocalist Maria Nuccilli and guitarist/vocalist/songwriter Alex Glendening and bassistZak Frieling are entirely subtle about glooming up their power pop. Launching one’s album with a song titled after the occult deity Baphomet isn’t exactly convention for the handclap-rock set. Neither are the bodies being torn apart and cement poured down throats in ghoulish number “The Curve.” To characterize How Far only as a “what if” where Sloan’s Jay Ferguson goes full Saruman is probably an overstatement, though. There are, after all, a number of exemplary pieces of genre-work on How Far. “You Lift Me Up” is an in-the-pocket bedroom dance starter, the do-do-do, do-do-dos feel like a classic anchor for “The Box” and the longing in “I’ll Wait” is a near-timeless sentiment. Taken as a whole it’s enough to make How Far feel something that’s both familiar and intriguingly distinct.