Tag Archives: Portishead

Aaron’s Top Albums Of 2008

Portishead's Third

Portishead’s Third

This is my official Top 10 album list for 2008:

10. Sam Roberts Love At The End Of The World

I’ve long maintained that Sam Roberts doesn’t quite get the respect he deserves because of his adoption by the Kee To Bala set, but he does good work. Love At The End Of The World is a little bit more about “songs” than Chemical City‘s wicked cosmic jams, but “Them Kids” and “Detroit ’67” are where it’s at.

9. The Dears Missiles

This version of a radically reconstituted Dears painted with a far less bombastic brush than on previous albums, but there was still enough world-weariness to compliment the rest of their discography.

8. Lykke Li Youth Novels

Going to see Lykke Li live on this tour was an oddly awkward sociological experience. See, the audience for her show was a divided one. The front half, squished towards the stage and separated from the back by a very pronounced barrier was an all-ages crowd of teenage girls. On the opposite side of the barrier, in the licensed area, were me, a smattering of couples, and a bunch of solo old dudes. And, by virtue of my status as a no +1 reviewer, I too was a solo old dude. Which, by extension, meant I looked an old creeper leering after some Scandinavian pop star in a room full of teenage girls.

I wasn’t, though. Because I was — and am — much more interested in Lykke Li’s Bergman-ian worldview than what sort of hot pants she’s wearing. And songs like “The Trumpet In My Head” affect me in ways that have nothing to do with lurid intent.

At least that’s my story and I’m sticking to it.

7. The Moondoggies Don’t Be A Stranger

The Moondoggies are a bit of a mystery to me. I don’t follow them, I don’t read about them and I don’t know much about them beyond the fact they’re from Washington and I think hippie types like them. This is probably for the best. Sometimes the more you know about a band, the less interesting they become.

6. David Vandervelde Waiting For The Sunrise

There’s an unofficial micro genre that exists these days where acts like Midlake and Fleet Foxes try capturing that Laurel Canyon sound from the late ’60s. Vandervelde’s Waiting For The Sunrise might be the best contemporary articulation of that vibe. When you listen to it you just want to throw on a poncho, grab some wine and hang out.

5. Graveyard Graveyard

Being a sucker for doom metal and pretty much everything that sounds like Black Sabbath meant I was already predisposed towards Sweden’s Graveyard. Thing is, Graveyard aren’t just rote Sabbath imitators. Their sinister blues rock feels like its own thing, and Joakim Nilsson’s vocals are more intense than most of what Ozzy’s ever committed to.

4. Cancer Bats Hail Destroyer

What I like about the Cancer Bats is that their improbable posi-hardcore never wavers into dork territory. Instead, it’s more about well-directed rage, which is something I can respect. Also, “Lucifer’s Rocking Chair” rips.

3. D-Sisive The Book

This was D-Sisive’s back-from-the-dead album. Its intensely personal narrative, breadth of pop culture reference and sense of gravitas are things I now see getting bit hard by a legion of next gen graspers. I can see you, copycat bitches.

2. The Last Shadow Puppets The Age Of The Understatement

A grandiose, symphonic rock trip, The Age Of The Understatement felt like a series of lost Bond anthems come to life. I listened to this album endlessly when it came out and I haven’t really heard anything similar sounding since then.

1. Portishead Third

I’ve given out, max, a dozen 5/5 album reviews in all the years I’ve been writing about music and this is one of them. Intense, confounding, unique, sinister… Third is the articulation of some kind of sonic menace, a mad clanking machine that lumbers dangerously around your heels. It’s scary, dangerous and unquestioningly beautiful.

Other album lists…

2015 Top Ten — SUUNS + Jerusalem In My Heart SUUNS + Jerusalem In My Heart is #1
2014 Top Ten — Sharon Van Etten’s Are We There is #1
2013 Top Ten — M.I.A.’s Matangi is #1
2012 Top Ten — Dirty Ghosts’ Metal Moon is #1
2011 Top Ten — Timber Timbre’s Creep On Creepin’ On is #1
2010 Top Ten — The Black Angels’ Phosphene Dream is #1
2009 Top Ten — Gallows’ Grey Britain is #1
2008 Top Ten — Portishead’s Third is #1
2007 Top Ten — Joel Plaskett Emergency’s Ashtray Rock is #1
2006 Top Ten — My Brightest Diamond’s Bring Me The Workhorse is #1
2005 Top Ten — Black Rebel Motorcycle Club’s Howl is #1
2004 Top Ten — Morrissey’s You Are The Quarry is #1
2003 Top Ten — The Dears’ No Cities Left is #1
2002 Top Ten — Archive’s You All Look The Same To Me is #1
2001 Top Ten — Gord Downie’s Coke Machine Glow is #1
2000 Top Ten — Songs: Ohia’s The Lioness is #1
1999 Top Ten — The Boo Radleys’ Kingsize is #1
1998 Top Ten — Baxter’s Baxter is #1
1996 Top Ten — Tricky’s Maxinquaye is #1

5 Comments

Filed under Music

Aaron’s Top Albums Of 1996

Tricky's Maxinquaye

Tricky’s Maxinquaye

Back in 1996 I was the Arts & Entertainment Editor of the Centennial College student newspaper, The Siren. I dug into some of those back issues to find my Top Ten album list from that year.

Looking at the list now it’s a pretty clear reaction against grunge in favour of mostly dark, electronic-based music.

Here it is:

1. Tricky Maxinquaye
2. Massive Attack Protection
3. Future Sound of London ISDN
4. Pop Will Eat Itself Dos Dedos Mis Amigos
5. Neil Young Mirror Ball
6. Blue Resistance
7. Portishead Dummy
8. Teenage Fanclub Grand Prix
9. Nine Inch Nails The Downward Spiral
10. Cypress Hill Temple Of Boom

Nearly a decade-and-a-half later, Maxinquaye remains infinitely listenable. Besides the tepid cover of Public Enemy’s “Black Steel” it still sound intriguing today. It’s probably no longer the #1 on this list, but it’s still a solid Top Five.

Of the trip-hop big three Massive Attack’s Protection is probably the one I care the least about now. That’s not to say I don’t care, it’s just that it’s the album I go back to the least amongst them. Again, if you listen to this album in the now it could still fool the kids into maybe thinking it’s current. Or, at the very least, you can trick ’em into believing “these are the guys who used to produce The Weekend.”

Holy smokes did I ever listen to Future Sound of London’s ISDN a lot back in the day. It’s why I’m very been-there, done-that about Boards of Canada in the present. This was also kinda my last flashback buzz album as I transitioned from student rascal/five-day-a-week rave ‘n’ club kid into person-with-a-job.

I wouldn’t quite call this a guilty pleasure because there’s no guilt in my enjoyment of Pop Will Eat Itself’s Dos Dedos Mis Amigos, but of the albums on this list it’s probably the easiest to peg in terms of being of a certain time, scene and sound.

Neil Young’s Mirror Ball is the only good album Pearl Jam’s ever been part of.

In hindsight, the inclusion of Blue’s Resistance on this list is kinda embarrassing. An electro-dub record on Sabres of Paradise’s label, this selection was clearly an act of showing off my expensive import record collection. The album doesn’t suck, but it wouldn’t make my Top Ten now and it speaks of hanging around a bit too much in the chill out room.

Portishead are where it’s at. After some time and distance, Dummy is probably my #1 album for 1996. And Beth Gibbons was doing witchcore at least 10 years before everyone else was.

I’m not sure why I put Teenage Fanclub’s Grand Prix on my list. I don’t really like Teenage Fanclub or much power pop and I haven’t actually listened to this album since 1996. This song’s OK, though, so perhaps I need to revisit this one:

Ah, Nine Inch Nails. I had this at #9, which means I probably didn’t like it all that much, but as a superfan of the band I had to put The Downward Spiral
on the list. Maybe it’s because the album’s so familiar. After all, it was the album that anchored a certain big-booted, goth-rivethead scene that year and I would have heard it everywhere I went. It can probably stay on this list… but with a leery eye.

Cypress Hill’s Temple Of Boom? Too much time in the chill out room, for sure.

Other album lists…

2015 Top Ten — SUUNS + Jerusalem In My Heart SUUNS + Jerusalem In My Heart is #1
2014 Top Ten — Sharon Van Etten’s Are We There is #1
2013 Top Ten — M.I.A.’s Matangi is #1
2012 Top Ten — Dirty Ghosts’ Metal Moon is #1
2011 Top Ten — Timber Timbre’s Creep On Creepin’ On is #1
2010 Top Ten — The Black Angels’ Phosphene Dream is #1
2009 Top Ten — Gallows’ Grey Britain is #1
2008 Top Ten — Portishead’s Third is #1
2007 Top Ten — Joel Plaskett Emergency’s Ashtray Rock is #1
2006 Top Ten — My Brightest Diamond’s Bring Me The Workhorse is #1
2005 Top Ten — Black Rebel Motorcycle Club’s Howl is #1
2004 Top Ten — Morrissey’s You Are The Quarry is #1
2003 Top Ten — The Dears’ No Cities Left is #1
2002 Top Ten — Archive’s You All Look The Same To Me is #1
2001 Top Ten — Gord Downie’s Coke Machine Glow is #1
2000 Top Ten — Songs: Ohia’s The Lioness is #1
1999 Top Ten — The Boo Radleys’ Kingsize is #1
1998 Top Ten — Baxter’s Baxter is #1
1996 Top Ten — Tricky’s Maxinquaye is #1

5 Comments

Filed under Music, Recollections