Category Archives: Recollections

Sarah vs The Fence, Or How The TTC Finally Broke Me

Over the years, I have managed to engage in at least three combat sports and pillow fight professionally with relatively little incident. The activity that finally did me in was crafting. Or, to be more precise, coming home from craft night after declaring that my craft for the evening would be drinking wine.

I did end up making this collage about drinking and driving, though. The gist of this piece is that if you drink and drive, you go to heaven. Which is filled with tiny Mustangs floating in the clouds.

It was a lovely craft night. I drank questionable wine with far less questionable people. I made wonderful art. A friend of mine gave me an absolutely brilliant old Niagara Falls tourism poster that she found at Goodwill. And so I went home just after midnight, tipsy and in love with the world because I had amazing friends who see cheesy Falls memorabilia and buy it for me because they know how much I love it and friends who agree to join me at craft night so that I can lend them Oz DVDs and friends who let me cut up their old issues of OMNI and make collages out of their car ads.

The Niagara Falls Poster, my trusty companion on this fateful journey.

The closer I got to home, though, the more my unbridled love for the universe was replaced by an unbearable longing for pizza. And when I finally got off at Eglinton Station, I went off in search of the exit that would take me closest to the Pizzaolo. This seemed like a perfectly logical course of action at the time. Going out one of my more common exits and then heading south for half a block seemed so utterly unnecessary.

I went out what I thought was the right door. It was, as it turns out, not the right door at all. It was, in fact, a door that probably shouldn’t have been unlocked at all, seeing as how it led to a chunk of the abandoned post-industrial wasteland that used to be Eglinton’s bus terminal. I walked toward what looked like an exit at one end of my post-apocalyptic prison, but it was fenced off. I tried the other end, but it, too, was fenced off. So I doubled back towards the demon door that had started the whole mess, and that was when I discovered that it had no handles. I was alone and trapped in an semi-abandoned TTC back alley.

I felt like this.

Now, those of you have never had the pleasure of riding with the Toronto Transmit Commission might be asking yourselves “Why on earth would they leave a one-way door to a completely caged-in trap of nothingness and pain and terror unlocked? That’s absurd!” But those of you who have spent any quality time with the world’s most underfunded transit system, a public entity so entirely unloved and ignored by every level of government that it’s practically gone feral are probably saying “Well, that sounds about right.”

Evaluating my surroundings, I quickly constructed a foolproof plan. I called Aaron, told him that I was trapped just south of Eglinton, that I was probably going to have to jump a fence, and that he should come meet me and help me extract my gym bag full of art and my framed Niagara Falls poster from the premises.

With Aaron on his way, I hung up and began to inspect the fence in question. Then, out of nowhere, some dude showed up and told me some cockamamie story about his duty to guard the fence and make sure everything was OK with it.

“I have to take a picture of this fence to prove that it’s fine,” he told me.

“Take your picture,” I said.

“Is everything fine with the fence?” he asked.

“The fence is fine. I just have to climb over it because I’m locked in here. Just take your damn picture and leave me alone,” I replied.

He said OK, and then left without ever having produced a camera of any sort. Weirded out, I decided that I couldn’t possibly wait for Aaron any longer. I would jump the fence and meet him on the other side, triumphant. I had visions of Sherlock elegantly scaling the gate in The Reichenbach Fall dancing through my head.

What was supposed to happen: 1. I am trapped. 2. I successfully scale the fence. 3. I execute a perfectly graceful landing and await Aaron with the pride of a grade A fence jumper.

That’s not what happened.

What actually happened: 1. I was trapped. 2. I scaled the fence with some success. 3. I leapt like a tool and landed entirely on my right ankle. 4. I flopped around like I was dying.

The actual scaling of the fence went off without a hitch, but getting down is always the hard part. Instead of descending slowly, I caught my cardigan on the top of the fence, and then I flung myself off of the damned thing, landing entirely on my right ankle.

What I realized I should have done, as I was flopping around on the floor: Crawl through the giant, Sarah-sized gap between the fence and the pavement.

My right ankle was not impressed. It responded to the latest development in my misadventure by throbbing in immediate and overwhelming pain. I responded by curling up into the fetal position and rolling around on Yonge Street in tears.

I called Aaron and told him that I had probably broken my ankle. Then I went back to rolling around.

We quickly decided that I needed a cab home. But procuring one isn’t particularly easy when you’re rolling around on a sidewalk.

“You need to stand up,” Aaron told me. “If you keep doing that, they’ll think you’re drunk and that you’re going to throw up in their cab.”

Figure One: How Aaron wanted me to wait for the cab.
Figure Two: How I wanted to wait for the cab.

But every time I tried to stand up, everything turned blue and my already strong desire to vomit increased exponentially. So I went back to rolling around on the sidewalk.

Eventually, we managed to hail a cab and I hobbled home. I called my mother, because that’s how grown-ups deal with things. She agreed to drive up and take me to the emergency at Sunnybrook.

By the time she arrived in town, I’d moved past hysterical sobs and reached some sort of delirious brand of bemused giddiness.

“When you decided to have a baby 31 years ago, did you ever imagine that you’d be doing this?” I asked her. “I mean, when you were my age, you had a three year-old. I got drunk at craft night and fell off a fence.”

She assured me that it was fine, and tried to placate me with some story about the time she stepped on a twig when I was three, but somehow that didn’t really work. I moved on to other concerns.

“Why do I always end up at Sunnybrook emergency for the weirdest reasons? The first time was because I fell off a stool at McDonald’s. Then Tara fell on my leg at jiu jitsu. Now I’ve fallen off a fence in the middle of the night.”

Two pleasant and only mildly long visits to Sunnybrook later, we’ve confirmed that nothing’s broken. The swelling, in all of its gargantuan proportions, should go down within the next four or five days. The psychological scars, however, will be around for much longer.

My cardigan

What bothers me most about the whole fiasco, somehow, is the discovery that I’m absolute rubbish at scaling fences. After years of ever so slightly ridiculous physical pursuits and physical training, I flopped off a fence like a drunk toddler attempting the world’s worst parkour demonstration. Far from my visions of flinging myself over the fence with the catlike grace of Sherlock Holmes, I now find myself at the opposite end of the Cumberbatchian physical acting spectrum, moving around like The Creature finding his footing at the beginning of Frankenstein.

My ankle

And Pizzaolo wasn’t even open when I had my great fall. Not that I could have stomached it in the aftermath, anyway.

My soul

5 Comments

Filed under Art, Recollections, The Misadventures Of

How To Make (Tolerable) Skittle Vodka And Skittle Rum

Step 1: Separate the Skittles

Step 1: Separate the Skittles

A while back, the Risky Fuel household hosted a bit of a party for Sarah’s birthday. Two of the centerpieces of said party were an endless supply of 30 Rock Cheesy Blasters (we dramatically improved on the recipe from our first attempt and will write about that at some other time) and the creation of the very exciting liquor combinations Skittles vodka and Skittles rum.

Here’s what went down:

First, we needed the ingredients and the tools, so we got:

* 2 big bags of Skittles
* 3 500ml bottles of water
* 1 bottle of 375ml Bacardi Superior rum
* 2 bottles of 375ml Absolut vodka
* a box of coffee filters
* a funnel

NOTE: You need to start all this a day before the day you intend to drink these fancy boozes.

Step #1: Separate The Skittles

This job was pretty simple. There are five flavours of Skittles — lime, lemon, strawberry, grape and orange — so we just separated the various candies into their appropriate bowls. What was harder, though, was figuring out which flavours of booze we were going to make. We had two vodka bottles and one rum, which meant two Skittle flavours wouldn’t make the cut.

We figured strawberry would got with the rum because, well, strawberry daiquiris. Lime sucks, so that was easy to cut. So it was down to grape, lemon and orange for the two vodka bottles. We decided to go with grape and lemon because orange just doesn’t go well with stuff. Like chocolate. Those chocolate orange thingees are only exciting to lowers on the evolutionary ladder.

Anyway, we now had our flavours:

* Lemon Skittles vodka
* Grape Skittles vodka
* Strawberry Skittles rum

Step #2: Skittle-fying The Alcohol

First, you drink the water from the water bottles. Then you take your Skittles and put all the lemon in one bottle, all the grape in the second, and all the strawberry in the third. Then you go have a pee break because you just drank three bottles of water. When you come back from peeing you grab your funnel (because it mess-proofs things) and funnel the corresponding booze into the appropriate water bottle.

Then you let your water bottles full of booze and Skittles sit for a day to allow the alcohol to dissolve the candies. They should look something like this if you arrange them neatly for photo taking purposes:

Lemon Vodka Bottled

Lemon Skittle Vodka Bottled

Grape Skittle Vodka bottled

Grape Skittle Vodka bottled

Strawberry Skittle Rum bottled

Strawberry Skittle Rum bottled

Step #3: Filtering The Skittle-fied Booze Back Into Original Bottles

So the next day while you’re casually cleaning the house for your party it’s time to set up the funnel, with a coffee filter in it, to pour the Skittle-infused from the water bottles back into the original bottles.

We were forewarned this was a snag area — the whole reason why you need to coffee filter things is because the candy doesn’t entirely dissolve — and sure enough, it was a problem. And the specific problem in our case was that the coffee filters made the actual filtering process go reaaaaallllly slowly.

Lemon Skittle vodka in the early filtering stages

Lemon Skittle vodka in the early filtering stages

As in agonizing drip, drip drip-type slow. Poking the funnel or tugging at the edges of the filter would temporarily increase flow, but ultimately continuing to do that would cause structural collapse of the filter and the entire contents just ended up pouring straight into the bottles.

We never figured out a better filtering solution so our Skittle booze was filled with candy floaties.

Step #4: Drink It

We were a little bummed about the filtering, but people eat tequila worms and drink Goldschlager, right? So it was, like, whatever and we had our party.

As it turns out, people were actually a little bit scared of rum and vodka infused with Skittles. We managed to finish off the grape vodka by doing shots, but the strawberry rum and lemon vodka are still kicking around our place. As shots the various flavours came across a little harsh — like an angry variety of cough syrup that won’t make you appreciate Houston hip-hop if you drink it. And we’ve yet to experiment with the remaining boozes in mixed drinks.

Booze-periment end result

Booze-periment end result

Conclusion: Unless we come up with a eureka mixed drink combo for our remaining booze and a brainwave on how to filter out the candy pieces more quickly and easily it’s probably going to be a long time until we combine Skittles with alcohol again.

5 Comments

Filed under Food, Recollections, The Misadventures Of

Aaron’s Top Albums Of 2004

Morrissey

Morrissey

This is my official Top 10 album list for 2004:

1. Morrissey You Are The Quarry
2. The Veils The Runaway Found
3. The Organ Grab That Gun
4. Arcade Fire Funeral
5. Feist Let It Die
6. Apostle Of Hustle Folkloric Feel
7. Jens Lekman When I Said I Wanted To Be Your Dog
8. By Divine Right Sweet Confusion
9. The Golden Dogs Everything In 3 Parts
10. The Dears Thank You Good Night Sold Out

There are a number of naggingly unsatisfying inclusions on this year’s list.

I don’t particularly go back to Morrissey’s You Are The Quarry much these days, but at the time it ranked as an amazing comeback record after a couple crappers from the Moz. So that would have been more than enough for a Smiths/Morrissey fan like myself to push it to top spot.

Morrissey “First Of The Gang To Die.” This might be the Moz at his storytelling best:

Coming in second this year was The Veils’ The Runaway Found. This is a great band who’ve been criminally slept on over the years. With them and Moz, Jens, The Dears and The Organ all on my list there was clearly a vibe I was feeling in ’04. I’m not sure what that might be, maybe morbid melodrama?

The Veils “Lavinia”:

Putting The Organ’s Grab That Gun at #3 feels like a bit of a cheat considering I put their Sinking Hearts EP on my Top 10 the year before. I’m going to chalk putting this one so high up to me projecting — hoping that The Organ would be to the world what I thought Moz and The Veils were as well.

The Organ “Memorize The City”:

That Arcade Fire Funeral record was like a bolt of lightning, wasn’t it? I mean, seriously, who knew those guys were going to hit the grand slam and turn every indie band for the next five years into gang-singing, handclapping 13-member art collectives? Nowadays, knowing more about their prep school backgrounds and natural entitlements, there’s a certain realization that I don’t really identify with the Arcade Fire at all, but I still have to admit they can create some compelling music.

Arcade Fire “Wake Up”

Putting Feist’s Let It Die at #5 was probably an error on my part brought on by the fact that my friend and co-worker Chris Burland had put out her previous album Monarch on his label and I would’ve felt a vague desire to be supportive. I like two songs on this album — “Mushaboom” and the Bee Gees cover “Inside And Out.” That shouldn’t have been enough for this album to place where it did.

Feist “Inside And Out”:

I never listen to Apostle Of Hustle Folkloric Feel any more. I haven’t even ripped it into iTunes so I’m going to guess I was getting a little swept up in the rise of Broken Social Scene at the time and it was clouding my perspective.

At #7 was Jens Lekman’s When I Said I Wanted To Be Your Dog. I’m not really sure why I put this on my list. I don’t really like this album all that much and it’s actually Lekman’s next album Night Falls Over Kortedala that I was really into.

I’ve steadfastly maintained that By Divine Right remain one of the most important Canadian bands of the last 20 years and putting their album Sweet Confusion at #8 was a small gesture in support of that notion. Against the rest of their catalog this is one of their lesser albums — still good — but in hindsight Sweet Confusion’s inclusion on my list feels too political now.

By Divine Right “Soft Machine”

The Golden Dogs’ Everything In 3 Parts was a very exciting record for our household when it came out. They were a great band live, they were fun people to be around, and the album was solid, too. I’m still not entirely sure why they never got bigger than they did, but this was still a great ride to be on at the time.

The Golden Dogs “Yeah”:

The #10 pick The Dears’ Thank You Good Night Sold Out is kind of embarrassing to me. The Dears were probably my favourite Canadian band right around then (and might still be now), but this is a live record. I don’t really listen to it any more, and didn’t really listen to it that much when it came out. Nowadays I’m far more ruthlessly clinical about my Top 10 lists and putting this on the 2004 list has a certain cute “Aw shucks” loyalty that I don’t know if I’ve “lost,” but I don’t quite let rule me in the same way any more.

Other album lists…

2015 Top Ten — SUUNS + Jerusalem In My Heart SUUNS + Jerusalem In My Heart is #1
2014 Top Ten — Sharon Van Etten’s Are We There is #1
2013 Top Ten — M.I.A.’s Matangi is #1
2012 Top Ten — Dirty Ghosts’ Metal Moon is #1
2011 Top Ten — Timber Timbre’s Creep On Creepin’ On is #1
2010 Top Ten — The Black Angels’ Phosphene Dream is #1
2009 Top Ten — Gallows’ Grey Britain is #1
2008 Top Ten — Portishead’s Third is #1
2007 Top Ten — Joel Plaskett Emergency’s Ashtray Rock is #1
2006 Top Ten — My Brightest Diamond’s Bring Me The Workhorse is #1
2005 Top Ten — Black Rebel Motorcycle Club’s Howl is #1
2004 Top Ten — Morrissey’s You Are The Quarry is #1
2003 Top Ten — The Dears’ No Cities Left is #1
2002 Top Ten — Archive’s You All Look The Same To Me is #1
2001 Top Ten — Gord Downie’s Coke Machine Glow is #1
2000 Top Ten — Songs: Ohia’s The Lioness is #1
1999 Top Ten — The Boo Radleys’ Kingsize is #1
1998 Top Ten — Baxter’s Baxter is #1
1996 Top Ten — Tricky’s Maxinquaye is #1

7 Comments

Filed under Music, Recollections

Aaron’s Top Albums Of 2003

The Dears No Cities Left

The Dears No Cities Left

This is my official Top 10 album list for 2003:

1. The Dears No Cities Left
2. Songs: Ohia The Magnolia Electric Co
3. Metric Old World Underground, Where Are You Now?
4. The Coral Magic And Medicine
5. Sixteen Horsepower Olden
6. Danko Jones We Sweat Blood
7. Gord Downie Battle Of The Nudes
8. The Organ Sinking Hearts
9. Radiohead Hail To The Thief
10. Geoff Berner We Shall Not Flag Or Fail, We Shall Go On To The End

I must say, this is a mighty great year.

My #1 record this year was No Cities Left and it still holds up just as well all this time later. “Lost In The Plot” was the big single, a signature song which I love, but it was the double-shot epic tracks “Expect The Worse/Cuz She’s A Tourist” and “Pinned Together, Falling Apart” which really did it for me. They’re epic, sophisticated and they rock, all while maintaining their uniquely “Dears” narratives. These two songs done live at the time were particularly amazing, as they’d get stretched out into trance-like adventures. “Don’t Lose The Faith,” “Warm And Sunny Days,” “Never Destroy Us”… I know these songs inside out. Within the confines of “Canadian rock” or “Canadian indie” or whatever descriptive you want to use this remains one of the best records of the last decade.

The Dears “Pinned Together, Falling Apart”:

It would’ve been a heated internal debate for me at the time to put Songs: Ohia The Magnolia Electric Co. at #2. This was the transition record where Jason Molina, the mostly one-man band as Songs: Ohia became Magnolia Electric Co., a down-to-earth trucker-rock band in the vein of Crazy Horse. The change was weird to take at first, but over time the songs on this album emerged and they’re heart-striking works. There’s an internal struggle going on in this album that’s both intimately personal and universal to the human experience.

I love the playing around with the classic song trope of John Henry doing something. Songs: Ohia “John Henry Split My Heart”:

Ah, Metric’s Old World Underground, Where Are You Now? We were so young and innocent and unaware of Emily Haines’ prickly fits back then. It was all about dancing along to “Dead Disco” late at night. If time had stopped and Metric never did anything else ever the world would’ve probably been a better place.

Metric “Dead Disco”:

The Coral’s Magic And Medicine remains a totally slept on record here in the North of America. This record’s so hard to define. It’s sort of triangulated by the works of The Boo Radleys and Space, but at the same time remain totally outside of their worlds.

The Coral “Talking Gypsy Market Blues,” their slight Dylan return:

Clearly 2003 was the year I finally understood Sixteen Horsepower. Olden was a compilation record made up of a few different EPs, which usually makes for uneven listening, but I was completely shook and I now follow the works of band leader David Eugene Edwards closely. Olden is also one of the records that has helped me become more self-aware about the music I like. It’s not necessarily about genre anymore, but rather about intensity, purpose, gravity. I no longer care about half-measures and comfortable singalong songs. If I can’t see through to your soul in your music you’re just a circus performer.

Sixteen Horsepower “American Wheeze”:

It takes a lot for me to consider a song a match for the best of the Thin Lizzy catalog, but for simple balls-out rockers Danko Jones’ “I Love Living In The City” from We Sweat Blood is right up there.

Danko Jones “I Love Living In The City”:

My affection for Gord Downie’s solo work would continue with Battle Of The Nudes. It wasn’t quite the speak-to-me album that Coke Machine Glow was, but I still consider it a bold and brave work, complete with Sonic Youth moments and weird punk diversions. Downie could easily play out his career doing cash register rock in The Tragically Hip, but he continues to go for it. These are the ideals I respect in musicians.

Gord Downie “Pascal’s Submarine.” Not my favourite track on the record, but this album’s not well-youtubed.

I’m kinda bummed The Organ didn’t quite rule the world like I thought they would, but Sinking Hearts is still solid in a hey-it’s-the-girl-Smiths way. Haters on this EP were weird. It may not be perfect but it’s got passion.

Radiohead Hail To The Thief at #9? I think I let myself be run over by the hype train on this one. I never listen to Radiohead anymore and if I do, it’s certainly not this album.

Geoff Berner We Shall Not Flag Or Fail, We Shall Go On To The End was a pretty unexpected inclusion for me because, well, let’s face it, I’m not known as a klezmer-punk kinda guy. How We Shall Not Flag gets me is with the storytelling. “Volcano God” is brilliant and beautiful and “Maginot Line” is a valuable life lesson.

Geoff Berner “Maginot Line”:

Other album lists…

2015 Top Ten — SUUNS + Jerusalem In My Heart SUUNS + Jerusalem In My Heart is #1
2014 Top Ten — Sharon Van Etten’s Are We There is #1
2013 Top Ten — M.I.A.’s Matangi is #1
2012 Top Ten — Dirty Ghosts’ Metal Moon is #1
2011 Top Ten — Timber Timbre’s Creep On Creepin’ On is #1
2010 Top Ten — The Black Angels’ Phosphene Dream is #1
2009 Top Ten — Gallows’ Grey Britain is #1
2008 Top Ten — Portishead’s Third is #1
2007 Top Ten — Joel Plaskett Emergency’s Ashtray Rock is #1
2006 Top Ten — My Brightest Diamond’s Bring Me The Workhorse is #1
2005 Top Ten — Black Rebel Motorcycle Club’s Howl is #1
2004 Top Ten — Morrissey’s You Are The Quarry is #1
2003 Top Ten — The Dears’ No Cities Left is #1
2002 Top Ten — Archive’s You All Look The Same To Me is #1
2001 Top Ten — Gord Downie’s Coke Machine Glow is #1
2000 Top Ten — Songs: Ohia’s The Lioness is #1
1999 Top Ten — The Boo Radleys’ Kingsize is #1
1998 Top Ten — Baxter’s Baxter is #1
1996 Top Ten — Tricky’s Maxinquaye is #1

6 Comments

Filed under Music, Recollections

Aaron’s Top Albums Of 2002

Archive You All Look The Same To Me

Archive You All Look The Same To Me

This is my official Top 10 album list of 2002:

1. Archive You All Look The Same To Me
2. Cooper Temple Clause See This Through And Leave
3. Young And Sexy Stand Up For Your Mother
4. Queens Of The Stone Age Songs For The Deaf
5. Danko Jones Born A Lion
6. The Guthries The Guthries
7. Songs: Ohia Didn’t It Rain
8. Lindi The Taste Of Forbidden Fruit
9. Flaming Lips Yoshimi Battles The Pink Robots
10. Burning Brides Fall Of The Plastic Empire

Looking back at my Top 10 albums of 2002 I get an almost inverse feeling about most of them compared to my 2001 list. I look up and down and clinically go, yeah, these are good records, but few of them have actually continued to stick with me. The most damning thing? Only three of the 10 I had bothered to rip into iTunes prior to doing this exercise (Cooper, Danko, S:O).

Putting Archive’s You All Look The Same To Me at #1 is kind of embarrassing to me now. It’s purely a contrarian, better-than-you choice. At the time few people knew who Archive were, and fewer had actually listened to the sprawling Pink Floyd-inspired trance rock of You All Look The Same To Me. In a way, that kind of made them all my own, and that was apparently enough to make them toppers. I don’t hate this album by any means, and it’s still a Top 10, but it’s certainly no longer a #1 in my heart and I never go back to it listening-wise.

Archive “Again”:

Cooper Temple Clause’s See This Through And Leave is another album that I rarely go back to. I must have been in a bit of a new-prog phase with them and Archive topping this list, because they pretty much sound alike.

Cooper Temple Clause “Murder Song.” This is a heavy trip:

I’m reasonably certain I’m the only person in the world who declared Young And Sexy’s Stand Up For Your Mother the third best album of 2002. Almost a decade later I don’t know why I did this. Weakness of character?

Whoo! The Rawk! Now, this album maintains. Queens Of The Stone Age’s Songs For The Deaf continues to be one of the few rare “mainstream” rock records of the last decade that doesn’t utterly suck. I don’t know if that’s the music industry’s fault, some sort of lowered expectations or what, but in my world, a great rock record’s got to at least compare to The Who’s Who’s Next? You don’t have to match it, but you at least have to try. Default records? Godsmack records? Those kinda bands, that’s not trying.

Queens Of The Stone Age “A Song For The Dead”:

I’ve always been a Danko Jones supporter, but on careful consideration I’m more of a single song fan — cherry-picking specific tracks of his that I think rule, rather than digging his albums. I know why I put Born A Lion on this list, it’s because Danko finally had an album out after so many years of dancing around the idea of doing so. Most of these songs are DNA to me, I know them by heart, and I maintain this record is house party gold. Is it #5 of 2002, though? I wasn’t certain, but as of writing this and re-listening to the record, the answer’s yes.

Danko Jones “Word Is Bond.” This shit rips:

At #6 I put The Guthries’ self-titled album. This record’s most notable in Can-rock lore because it features Matt Mays. I never go back to it, though, and hindsight is telling me I put it on the list as a better-than-you pick. I hope I don’t do that anymore.

Now, at #7 I put Songs: Ohia’s Didn’t It Rain. This record has some talking points. If I was to retabulate this list today this would be my undisputed #1 album of 2002, but at the time I was somewhat sheepish about my obvious Jason Molina fandom at the time (nowadays, if I feel “fan-ish” at all over a record I ride that wave like nobody’s business — it’s proof I’m not dead inside).

Anyway, there’s a peculiar flipside to this album. When I first listened to it I didn’t really understand it all that well. See, Didn’t It Rain is close to one of the heaviest, gnarliest, deepest gut-wrenching journeys into depression ever recorded. I missed many of these very obvious themes when I first got this record and it’s only now over the years that I’ve been able to figure it all out.

Which brings me to another point — I rarely listen to this record any more. On purpose. I’ve come to believe it’s got a bit of a mystical hold on me where if I listen to these songs I get in a sympathetic mindframe and I start feeling a little darker in the soul. It’s a subtle, toxic chemical reaction, a dangerous audio drug that one has to be most careful with.

Songs: Ohia “Steve Albini’s Blues.” Consume this at your own risk:

At #8 would be Lindi’s The Taste Of Forbidden Fruit. This would be Lindi Ortega, the now-country singer of (relative) little red boots fame. Back in 2002 she was a smoking hot cabaret minx who did songs with titles like “Naughty Little Thing,” “Lipstick Traces” and “Sweet Jezebel.” I liked this Lindi more than the one who’s taking advice on how to get her albums distributed in Wal-Marts.

I realize now why I’ve never ripped The Flaming Lips’ Yoshimi Battles The Pink Robots into iTunes — it’s because it had copy-protection that used to prevent doing so. Shocking how I was able to live without listening to this record for 10 years because of a minor technical inconvenience. That’s why the music industry died.

The Flaming Lips “Do You Realize??”

Filling the last spot on the list was Burning Brides’ Fall Of The Plastic Empire. I distinctly remember being undecided about whether or not to include this on the list, but I can’t remember who the other potential choice was. Which I guess means I made the right decision.

Other album lists…

2015 Top Ten — SUUNS + Jerusalem In My Heart SUUNS + Jerusalem In My Heart is #1
2014 Top Ten — Sharon Van Etten’s Are We There is #1
2013 Top Ten — M.I.A.’s Matangi is #1
2012 Top Ten — Dirty Ghosts’ Metal Moon is #1
2011 Top Ten — Timber Timbre’s Creep On Creepin’ On is #1
2010 Top Ten — The Black Angels’ Phosphene Dream is #1
2009 Top Ten — Gallows’ Grey Britain is #1
2008 Top Ten — Portishead’s Third is #1
2007 Top Ten — Joel Plaskett Emergency’s Ashtray Rock is #1
2006 Top Ten — My Brightest Diamond’s Bring Me The Workhorse is #1
2005 Top Ten — Black Rebel Motorcycle Club’s Howl is #1
2004 Top Ten — Morrissey’s You Are The Quarry is #1
2003 Top Ten — The Dears’ No Cities Left is #1
2002 Top Ten — Archive’s You All Look The Same To Me is #1
2001 Top Ten — Gord Downie’s Coke Machine Glow is #1
2000 Top Ten — Songs: Ohia’s The Lioness is #1
1999 Top Ten — The Boo Radleys’ Kingsize is #1
1998 Top Ten — Baxter’s Baxter is #1
1996 Top Ten — Tricky’s Maxinquaye is #1

5 Comments

Filed under Music, Recollections