Category Archives: Music

Morrissey Exhumes The Smiths Live In Hamilton

Morrissey live in Hamilton.

Morrissey live in Hamilton.

LIVE: Morrissey
February 14, 2000
Hamilton Place
Hamilton, Ontario

“Half A Person.”

“Meat Is Murder.”

“Is It Really So Strange?”

“Last Night I Dreamt That Somebody Loved Me.”

“Shoplifters Of The World Unite.”

Five Smiths songs. Betcha you’re kicking yourself for not making the drive to Hamilton now.

After dropping so many of the “oldies” as Mozzer so quaintly referred to them, let’s face it, any sort of objective criticism went out the window. And there were more than a few things which could have flown back in Morrissey’s face this night: He chose to play the steeltown of Hamilton rather than Toronto, a mere hour away (but now that I think about it, Moz has always had a strange working-class fixation despite his pure bourgeois ponce). He has no record label, largely due to the fact his last record, Maladjusted, was truly horrible. And, at 40 or so, Moz isn’t exactly the winsome young turk that made sexually ambiguous hearts flutter back in The Smiths days.

Still, by about the third song in, all of the potential black marks against this show were rendered moot, showing just what kind of performance Stephen Patrick could put on.

Moz started out slowly, with a three-pack of mid-tempo numbers that included “Ouija Board, Ouija Board” and “I Am Hated For Loving.” They were warmly received and prompted the obligatory surge of Moz diehards to the front of the stage, which was surprisingly easy considering that Hamilton Place is a soft-seat venue (and yes, everybody was standing throughout the show, something I’m not sure would have happened if Moz had played in the more dour surroundings of Massey Hall in Toronto).

Things really got going, however, when the festivities were sped up with “Billy Budd” and “November Spawned A Monster.” By this time Moz had launched his first sweaty t-shirt into the crowd and had his first stage-invader.

Throughout it all, Moz was peppering the crowd with witty banter, coy lines and even some jokes. He was laughing and jovial, and it truly was a departure from his customary tortured writhing. That injection of humour just may have been what helped get him over this night as well. We know Morrissey’s days of playing to 12,000 at Maple Leaf Gardens are over, and you have to admit he’s haggaring somewhat. But he’s smart enough to know that if he’s getting his people to not only travel an hour from Toronto to see him, but drop $40 for the privilege of doing so, he better do more than leave them stewing in a nostalgic fog recalling how that special boy or girl broke their heart.

I must say though, that nostalgic fog felt pretty good when the band broke into Smiths’ classic “Half A Person.” Like a bolt of electricity, this instantly sent a shock through the crowd. At this point, there were no more questions about Moz’s performance or appearance. Everybody was in the palm of his hand. From there, the crowd lapped up “Hairdresser On Fire” (turned into a faux rip on London, Ontario) and “Boxers” before a tempo change once again with “Now My Heart Is Full.”

With the crowd firmly hooked, the stagelights turned a blaring red and Moz entered into “Meat Is Murder.” If the first half of the show was about a friendlier, Moz-as-entertainer vibe, “Meat Is Murder” brought back all the morbid loathing that drew all those lonely-yet-haughty-types to The Smiths so long ago in the first place. Wrenching and poignant, it would have made a fine conclusion to the evening, except there was still more to come.

A crowd-stoking “Is It Really So Strange?” and “Alma Matter” closed off the regularly scheduled program for the evening. But when Moz and the boys re-emerged at the encore to perform “Last Night I Dreamt That Somebody Loved Me” and “Shoplifters Of The World Unite,” the crowd broke into their biggest singalong of the whole evening in addition to prompting a renewed rush of stage invaders.

It was something of an abrupt end considering Moz had only just set the assembled masses into a frenzy, but you’re not going to hear much complaining. About the only thing that could have made the night better would have been a double shot of “Pretty Girls Make Graves” and “Panic.” And besides, how many times are you ever going to hear the Moz play five Smiths songs again?

This review was originally published February 18, 2000 via Chart Communications.

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Filed under Concerts, Music, Recollections

Stevie Nicks ‘In Your Dreams’: Fleetwood Mac Singer’s Doc Almost Foiled Due to Vanity

Stevie Nicks

Stevie Nicks

Toward the end of In Your Dreams, Stevie Nicks and Dave Stewart’s documentary about the making of their album of the same name which opened at Toronto’s TIFF Bell Lightbox last night, Stewart muses about the magic that he experienced in that year of writing and recording with the rock ‘n’ roll legend and his hopes that a piece of that comes across in the film.

“I hope it brought you a little closer to Stevie’s heart,” he says in his closing narration.

The film certainly lives up to Stewart’s expectations. The result of the producer and former Eurythmics member’s almost obsessive need to film and document everything in his life, In Your Dreams takes viewers deep into the year-long creative process behind Nicks’s 2011 album — her first solo release in over a decade — and just as deep into the heart of its co-writer and co-director.

With his omnipresent camera essentially becoming part of the gang, Stewart documents almost every detail of what happened from the time that Nicks asked him to produce her new album to the assembly of her band and crew (including superstar producer Glen Ballard and her Fleetwood Mac bandmates Mick Fleetwood and Lindsey Buckingham) to the videos the crew made to accompany each song on the disc.

Obviously comfortable with her creative partner, Nicks opens up about almost everything. Her family, her early music history, her sometimes rocky history with Buckingham, and her current inspirations are all covered. She even waxes poetically on her love of the Twilight films, which were the inspiration for the song “Moonlight (A Vampire’s Dream).”

“I was taken with this movie because what happened to Bella absolutely happened to me,” she says about Bella’s post-Edward heartbreak in New Moon.

The result of this intimate and open atmosphere is a documentary that actually does make you feel like you’re part of the action, as cliched as that phrase may be. And, as it turns out, the film was only really the opening act for people who attended one of the two screenings and Stevie Nicks Q&As last night. In the flesh, the rock star was even more personable and charming.

Clad in one of her trademark flowing outfits, Nicks amiably sauntered on stage after the screening, settled into her seat and started regaling the sold out crowd with a story about the genesis of the In Your Dreams film, and how her own personal insecurities almost destroyed the project before it even began.

Stewart, she explained, original brought up the idea of filming the whole process when he first agreed to produce the album for her. Nicks wasn’t big on the idea, as it stood in the way of all of dreams of recording and home and dressing as a complete slob.

“That means serious hair, makeup and clothes,” she said, in mock horror.

In the end, though, it was Running Down a Dream, the 2007 Tom Petty documentary, that convinced her to give the camera a shot.

“I remember the footage from Tom Petty’s very, very long four-hour documentary, which I personally loved, every minute of it,” she said. “But there was a part on the Traveling Wilburys that was so brilliant and it really showed the five of those guys like they were in the James Gang or something. And we got to see them for a half-hour really be who they were and just looking so handsome and playing this amazing music and then, within minutes, it seemed, two of them died. And if they hadn’t have done that, what a shame that would have been.”

This got her reevaluating her own priorities.

“What a shame it would be if you, Miss Vanity, said no to this because you don’t want to spend a half an hour doing makeup and picking a uniform,” she continued. “What if we come up with something that’s really great and we don’t film it? And then how are you going to feel a year after that? You’re going to go, ‘Wow, now you really can admit to the vanity of women because you lost out on something really brilliant.’ So I said ok.”

Soon, she said, her appearance wasn’t even on her mind.

“It’s amazing how easy the process becomes because of the people involved.”

Taking questions from the crowd, Nicks indulged the audience in questions about making the classic Fleetwood Mac album Rumours (“It wasn’t a very pleasant experience,” she quipped before embarking on a more philosophical reflection on the romance and the drama behind those days), and opening up about the death of her mother.

She also talked about how the promotion of In Your Dreams really forced her to adapt to the new realities of the music business. For someone who came of age in a wildly different music industry, it hasn’t always been an easy transition.

“The music business has turned to stone,” she said. “I can’t expect anyone to help me.”

She also pointed out that record companies just don’t have enough money to invest in bands for the long term anymore, using Fleetwood Mac’s post-Rumours career as an example.

“If it had been now and we had done Rumours and had that success and then we did Tusk, the double record from Africa? Warner Brothers would have said ‘Get out and take your African tusks with you!’ It’s such a different age now.”

Nicks credits her fans and their support or allowing her to tirelessly tour and promote In Your Dreams and help her make it the modern day music business success that it is. As such, she pointedly thanked those in attendance for their part in it.

“I’m not going to worry about record sales anymore and I’m not going to worry about what people think,” she said.

“Because what really matters is what I think, because if I’m thinking good and I’m thinking happy, then what I do is going to turn around and make you feel good. So we just bounce off of each other. I throw the dreams out there and you throw them back at me. And that’s how we make this together. This is not anything that is done by one person. It happens because we’re a team. And you’re my team. You are. I mean that.”

This story was originally published April 16, 2013 on Spinner.

 

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Filed under Films, Music

Samaritan News 10 Pack: Madonna, Prince Harry, U2, More

Madonna marches on Washington.

Madonna marches on Washington.

Here are some of the news stories I wrote for charitably-minded entertainment site Samaritanmag in January:

Read Madonna’s Women’s March on Washington Speech

Arcade Fire and Mavis Staples Release Charity Song To Support American Civil Liberties Union

Watch Video: Prince Harry Visits Botswana, Signs on to Help Protect Rhinos

Buffy Sainte-Marie to Receive Allan Waters Humanitarian Award At Juno Awards

U2 Private Concert, Tea With Bono and Julia Roberts Raffled Off to Support AIDS Charity

9 Civil Rights Museums To Visit For Martin Luther King Jr. Day

Hockey Team to Honour The Tragically Hip, Auction Custom Jerseys for Gord Downie Fund

What Is The Committee to Protect Journalists Meryl Streep Mentioned At Golden Globes?

KIND Foundation Gives $1.1 Million USD To Seven People Doing Good

Little Big Town to Help Launch Music in Our Schools Tour

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Filed under Environment, Health, Music, Shameless Promotion

Mother Mother’s Identity Crisis

Mother Mother

Mother Mother

Vancouver alternative-pop band Mother Mother’s newest album No Culture was the result of some deep soul searching.

As the band explained to me in a feature for SOCAN’s Words & Music, the combination of writer’s block and an identity crisis made making the album difficult.

To read about how they navigated this, click here.

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Filed under Music, Shameless Promotion

Leonard Cohen, Neil Young, Rush Among Topics On Polaris Podcast EP3

Albums talked about on Polaris Podcast EP3

Albums talked about on Polaris Podcast EP3

The third episode of the Polaris Podcast focused on four albums that won Slaight Family Polaris Heritage Prize designations in 2016.

They were:

* Neil Young’s After The Gold Rush
* Leonard Cohen’s Songs Of Leonard Cohen
* Rush’s Moving Pictures
* Kate and Anna McGarrigle’s self-titled album

For this episode we interviewed Anna McGarrigle, Young Galaxy and a number of expert jurors.

Please listen, subscribe and validate my employment.

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Filed under Music, Shameless Promotion