Tag Archives: TIFF

TIFF 2018: Widows Is A Better Kind Of Heist Film

Widows

Widows

While Liam Neeson is in the new film Widows by ace director Steve McQueen it’s important to note that nobody in his family gets kidnapped, requiring him to embark on an elaborate revenge quest.

In fact, Neeson’s quite secondary in Widows, as it focuses on Viola Davis, Michelle Rodriguez and Elizabeth Debicki, the partners of a failed heist crew who now have to take over where their men left off.

Sarah loved this film when she saw it at this year’s Toronto International Film Festival.

To read her review for Consequence Of Sound, click here.

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TIFF 2018: If Beale Street Could Talk Continues Barry Jenkins’ Excellent Work

If Beale Street Could Talk

If Beale Street Could Talk

Barry Jenkins, the director behind the moving coming of age drama Moonlight has once again created something excellent with new film If Beale Street Could Talk.

The film, adapted from James Baldwin’s novel, is a romantic drama that follows a woman and her husband who’s been wrongfully convicted of a crime.

Sarah reviewed the film for Consequence Of Sound.

To read her review click here.

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Best Martial Arts Films At TIFF 2018

The Man Who Feels No Pain

The Man Who Feels No Pain

When Sarah was covering this year’s Toronto International Film Festival one of the things she did was track the best martial arts films which played there.

Some of her highlights included Float Like A Butterfly, Legend Of The Demon Cat and Killing.

To read her full list of recommended films, check out her piece at the Asian World Of Martial Arts blog by clicking here.

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TIFF 2018: Nicole Kidman’s Exceptional Grizzled Detective Centers Destroyer

Destroyer

Destroyer

In the film Destroyer Nicole Kidman does a gender flip on the grizzled detective archetype to tremendous effect.

The result is a new spin on a story told thousands of times before and the results are excellent.

Sarah reviewed the film for Consequence Of Sound at the 2018 Toronto International Film Festival.

To read her review go here.

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TIFF 2018: Gaspar Noé’s Climax Uses Sex And Drugs To Provoke

Climax

Climax

Gaspar Noé, one of the standard-bearers for modern perv film directorship, has a new film called Climax. It’s about a dance troupe who unintentional dose on LSD and then do pervy things.

Sarah reviewed this intentionally provocative piece of cinema for Consequence Of Sound at the Toronto International Film Festival this year.

To read her review go here.

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Stevie Nicks ‘In Your Dreams’: Fleetwood Mac Singer’s Doc Almost Foiled Due to Vanity

Stevie Nicks

Stevie Nicks

Toward the end of In Your Dreams, Stevie Nicks and Dave Stewart’s documentary about the making of their album of the same name which opened at Toronto’s TIFF Bell Lightbox last night, Stewart muses about the magic that he experienced in that year of writing and recording with the rock ‘n’ roll legend and his hopes that a piece of that comes across in the film.

“I hope it brought you a little closer to Stevie’s heart,” he says in his closing narration.

The film certainly lives up to Stewart’s expectations. The result of the producer and former Eurythmics member’s almost obsessive need to film and document everything in his life, In Your Dreams takes viewers deep into the year-long creative process behind Nicks’s 2011 album — her first solo release in over a decade — and just as deep into the heart of its co-writer and co-director.

With his omnipresent camera essentially becoming part of the gang, Stewart documents almost every detail of what happened from the time that Nicks asked him to produce her new album to the assembly of her band and crew (including superstar producer Glen Ballard and her Fleetwood Mac bandmates Mick Fleetwood and Lindsey Buckingham) to the videos the crew made to accompany each song on the disc.

Obviously comfortable with her creative partner, Nicks opens up about almost everything. Her family, her early music history, her sometimes rocky history with Buckingham, and her current inspirations are all covered. She even waxes poetically on her love of the Twilight films, which were the inspiration for the song “Moonlight (A Vampire’s Dream).”

“I was taken with this movie because what happened to Bella absolutely happened to me,” she says about Bella’s post-Edward heartbreak in New Moon.

The result of this intimate and open atmosphere is a documentary that actually does make you feel like you’re part of the action, as cliched as that phrase may be. And, as it turns out, the film was only really the opening act for people who attended one of the two screenings and Stevie Nicks Q&As last night. In the flesh, the rock star was even more personable and charming.

Clad in one of her trademark flowing outfits, Nicks amiably sauntered on stage after the screening, settled into her seat and started regaling the sold out crowd with a story about the genesis of the In Your Dreams film, and how her own personal insecurities almost destroyed the project before it even began.

Stewart, she explained, original brought up the idea of filming the whole process when he first agreed to produce the album for her. Nicks wasn’t big on the idea, as it stood in the way of all of dreams of recording and home and dressing as a complete slob.

“That means serious hair, makeup and clothes,” she said, in mock horror.

In the end, though, it was Running Down a Dream, the 2007 Tom Petty documentary, that convinced her to give the camera a shot.

“I remember the footage from Tom Petty’s very, very long four-hour documentary, which I personally loved, every minute of it,” she said. “But there was a part on the Traveling Wilburys that was so brilliant and it really showed the five of those guys like they were in the James Gang or something. And we got to see them for a half-hour really be who they were and just looking so handsome and playing this amazing music and then, within minutes, it seemed, two of them died. And if they hadn’t have done that, what a shame that would have been.”

This got her reevaluating her own priorities.

“What a shame it would be if you, Miss Vanity, said no to this because you don’t want to spend a half an hour doing makeup and picking a uniform,” she continued. “What if we come up with something that’s really great and we don’t film it? And then how are you going to feel a year after that? You’re going to go, ‘Wow, now you really can admit to the vanity of women because you lost out on something really brilliant.’ So I said ok.”

Soon, she said, her appearance wasn’t even on her mind.

“It’s amazing how easy the process becomes because of the people involved.”

Taking questions from the crowd, Nicks indulged the audience in questions about making the classic Fleetwood Mac album Rumours (“It wasn’t a very pleasant experience,” she quipped before embarking on a more philosophical reflection on the romance and the drama behind those days), and opening up about the death of her mother.

She also talked about how the promotion of In Your Dreams really forced her to adapt to the new realities of the music business. For someone who came of age in a wildly different music industry, it hasn’t always been an easy transition.

“The music business has turned to stone,” she said. “I can’t expect anyone to help me.”

She also pointed out that record companies just don’t have enough money to invest in bands for the long term anymore, using Fleetwood Mac’s post-Rumours career as an example.

“If it had been now and we had done Rumours and had that success and then we did Tusk, the double record from Africa? Warner Brothers would have said ‘Get out and take your African tusks with you!’ It’s such a different age now.”

Nicks credits her fans and their support or allowing her to tirelessly tour and promote In Your Dreams and help her make it the modern day music business success that it is. As such, she pointedly thanked those in attendance for their part in it.

“I’m not going to worry about record sales anymore and I’m not going to worry about what people think,” she said.

“Because what really matters is what I think, because if I’m thinking good and I’m thinking happy, then what I do is going to turn around and make you feel good. So we just bounce off of each other. I throw the dreams out there and you throw them back at me. And that’s how we make this together. This is not anything that is done by one person. It happens because we’re a team. And you’re my team. You are. I mean that.”

This story was originally published April 16, 2013 on Spinner.

 

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‘The War Show’ Documentary Shows Impact Of Syrian War

The War Show

The War Show

It’s pretty easy for most of us here in the western world to bury our heads in the sand and ignore what’s been happening in Syria.

Part of this is distance and another part is perceived difference — if you don’t know these people it makes it easier not to care about them, right?

A new documentary called The War Show is helping illuminate what it’s like for the Syrian people and it’s… awful.

I spoke to The War Show co-director Andreas Dalsgaard about this when he was in town for TIFF.

To read the full interview click here.

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