Tag Archives: TIFF

TIFF 2018: Gaspar Noé’s Climax Uses Sex And Drugs To Provoke



Gaspar Noé, one of the standard-bearers for modern perv film directorship, has a new film called Climax. It’s about a dance troupe who unintentional dose on LSD and then do pervy things.

Sarah reviewed this intentionally provocative piece of cinema for Consequence Of Sound at the Toronto International Film Festival this year.

To read her review go here.


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Stevie Nicks ‘In Your Dreams’: Fleetwood Mac Singer’s Doc Almost Foiled Due to Vanity

Stevie Nicks

Stevie Nicks

Toward the end of In Your Dreams, Stevie Nicks and Dave Stewart’s documentary about the making of their album of the same name which opened at Toronto’s TIFF Bell Lightbox last night, Stewart muses about the magic that he experienced in that year of writing and recording with the rock ‘n’ roll legend and his hopes that a piece of that comes across in the film.

“I hope it brought you a little closer to Stevie’s heart,” he says in his closing narration.

The film certainly lives up to Stewart’s expectations. The result of the producer and former Eurythmics member’s almost obsessive need to film and document everything in his life, In Your Dreams takes viewers deep into the year-long creative process behind Nicks’s 2011 album — her first solo release in over a decade — and just as deep into the heart of its co-writer and co-director.

With his omnipresent camera essentially becoming part of the gang, Stewart documents almost every detail of what happened from the time that Nicks asked him to produce her new album to the assembly of her band and crew (including superstar producer Glen Ballard and her Fleetwood Mac bandmates Mick Fleetwood and Lindsey Buckingham) to the videos the crew made to accompany each song on the disc.

Obviously comfortable with her creative partner, Nicks opens up about almost everything. Her family, her early music history, her sometimes rocky history with Buckingham, and her current inspirations are all covered. She even waxes poetically on her love of the Twilight films, which were the inspiration for the song “Moonlight (A Vampire’s Dream).”

“I was taken with this movie because what happened to Bella absolutely happened to me,” she says about Bella’s post-Edward heartbreak in New Moon.

The result of this intimate and open atmosphere is a documentary that actually does make you feel like you’re part of the action, as cliched as that phrase may be. And, as it turns out, the film was only really the opening act for people who attended one of the two screenings and Stevie Nicks Q&As last night. In the flesh, the rock star was even more personable and charming.

Clad in one of her trademark flowing outfits, Nicks amiably sauntered on stage after the screening, settled into her seat and started regaling the sold out crowd with a story about the genesis of the In Your Dreams film, and how her own personal insecurities almost destroyed the project before it even began.

Stewart, she explained, original brought up the idea of filming the whole process when he first agreed to produce the album for her. Nicks wasn’t big on the idea, as it stood in the way of all of dreams of recording and home and dressing as a complete slob.

“That means serious hair, makeup and clothes,” she said, in mock horror.

In the end, though, it was Running Down a Dream, the 2007 Tom Petty documentary, that convinced her to give the camera a shot.

“I remember the footage from Tom Petty’s very, very long four-hour documentary, which I personally loved, every minute of it,” she said. “But there was a part on the Traveling Wilburys that was so brilliant and it really showed the five of those guys like they were in the James Gang or something. And we got to see them for a half-hour really be who they were and just looking so handsome and playing this amazing music and then, within minutes, it seemed, two of them died. And if they hadn’t have done that, what a shame that would have been.”

This got her reevaluating her own priorities.

“What a shame it would be if you, Miss Vanity, said no to this because you don’t want to spend a half an hour doing makeup and picking a uniform,” she continued. “What if we come up with something that’s really great and we don’t film it? And then how are you going to feel a year after that? You’re going to go, ‘Wow, now you really can admit to the vanity of women because you lost out on something really brilliant.’ So I said ok.”

Soon, she said, her appearance wasn’t even on her mind.

“It’s amazing how easy the process becomes because of the people involved.”

Taking questions from the crowd, Nicks indulged the audience in questions about making the classic Fleetwood Mac album Rumours (“It wasn’t a very pleasant experience,” she quipped before embarking on a more philosophical reflection on the romance and the drama behind those days), and opening up about the death of her mother.

She also talked about how the promotion of In Your Dreams really forced her to adapt to the new realities of the music business. For someone who came of age in a wildly different music industry, it hasn’t always been an easy transition.

“The music business has turned to stone,” she said. “I can’t expect anyone to help me.”

She also pointed out that record companies just don’t have enough money to invest in bands for the long term anymore, using Fleetwood Mac’s post-Rumours career as an example.

“If it had been now and we had done Rumours and had that success and then we did Tusk, the double record from Africa? Warner Brothers would have said ‘Get out and take your African tusks with you!’ It’s such a different age now.”

Nicks credits her fans and their support or allowing her to tirelessly tour and promote In Your Dreams and help her make it the modern day music business success that it is. As such, she pointedly thanked those in attendance for their part in it.

“I’m not going to worry about record sales anymore and I’m not going to worry about what people think,” she said.

“Because what really matters is what I think, because if I’m thinking good and I’m thinking happy, then what I do is going to turn around and make you feel good. So we just bounce off of each other. I throw the dreams out there and you throw them back at me. And that’s how we make this together. This is not anything that is done by one person. It happens because we’re a team. And you’re my team. You are. I mean that.”

This story was originally published April 16, 2013 on Spinner.


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‘The War Show’ Documentary Shows Impact Of Syrian War

The War Show

The War Show

It’s pretty easy for most of us here in the western world to bury our heads in the sand and ignore what’s been happening in Syria.

Part of this is distance and another part is perceived difference — if you don’t know these people it makes it easier not to care about them, right?

A new documentary called The War Show is helping illuminate what it’s like for the Syrian people and it’s… awful.

I spoke to The War Show co-director Andreas Dalsgaard about this when he was in town for TIFF.

To read the full interview click here.

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‘La La Land’ Is Delightful, Satisfying

La La Land

La La Land

Big deal Hollywood musical film La La Land is making all sorts of film critics swoon at the notion of romantic old school sing-dance movies.

Sarah, the half of Team Risky Fuel who doesn’t think such movies are stupid, calls the film “gorgeous, often delightful, and quite satisfying.”

To read her review of it head over to Consequence Of Sound by clicking here.

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TIFF 2016: ‘Arrival’ Elevates Sci Fi



One of Sarah’s favourite films she saw at TIFF 2016 was Denis Villeneuve’s sci fi epic, Arrival.

She says the film reveals “however briefly and however elusively, some truth about what inspires us to do what we do.”

To read her review of the film head over to Consequence Of Sound by clicking here.

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TIFF 2016: Free Fire Shows Ben Wheatley’s Craftsmanship

Free Fire

Free Fire

One of Sarah’s favourite directors is Ben Wheatley.

Because of this she made a point to see his new film Free Fire when it played at TIFF 2016.

Though not the knock out that High Rise was, the film displayed Wheatley’s “level of commitment, craftsmanship, and reliability.”

To read her review of the film head over to Consequence of Sound by clicking here.

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TIFF 2016: ‘Salt And Fire’ Is Werner Herzog’s Complicated Environmental Film

Salt And Fire

Salt And Fire

One of the more confounding films Sarah saw at the Toronto International Film Festival this year was Werner Herzog’s maybe environmental kidnap drama Salt And Fire.

Says Sarah, “Fans of his unique style and humor will find much to enjoy in Salt and Fire, even if the film does lack some proper cohesion.”

To read her whole review head over to Consequence Of Sound by clicking here.

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Filed under Environment, Films, Shameless Promotion