Tag Archives: Neko Case

10 Best Before They Die Concerts Of 2018: Neko Case Is #1

Suicidal Tendencies live in Toronto.

Suicidal Tendencies live in Toronto.

Those closest to me know I’ve been on a years long quest to see live performances from a meticulously curated list of musical legends and personal favourites “before they die.”

Said list, which has a 100 active acts on it at all times and is prioritized based on 1) how much I love an act, 2) how soon I think they’re going to die, and 3) how rarely they tour, has guided me on numerous adventures and (mis)adventures over the years. Mostly, though, it has allowed me to witness a lot of music greats doing musically great things.

For the first time ever, I’ve compiled my 10 best Before They Dies of the year. Here they are:

10) Jeff Lynne’s Electric Light Orchestra @ Scotiabank Arena, August 18, 2018 (#52 on list)

Lynne isn’t exactly a dynamic frontman, but the band was excellent, the stage and light show was a trip and the music was undeniable, even though the setlist was surprisingly front-loaded. I had an alternating mix of “Showdown” and “Evil Woman” in my head for weeks after this. Always a good sign.

9) The Horrors @ Horseshoe Tavern, June 19, 2018 (#76 on the list)

One of the key things I’ve learned about The List over the years is that when an act from overseas is in town, you do your damnedest to make sure you go see them. Technically, there wasn’t all that much to “see” at The Horrors’ show — they’re mostly a bunch of Edward Scissorhand silhouettes swaying in low light obscured by fog machine smoke — but that made what was heard all the better. Live, there’s added nuance to the band’s lysergic goth rock, revealing itself in a bold synth line here, a guitar squelch there and in a vibe that makes you feel you’re experiencing masters of their craft.

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The Horrors!

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8) Fleetwood Mac @ Scotiabank Arena, November 5, 2018 (unrated)

I didn’t know I needed the Mac in my life. This, because as a Stevie Nicks devotee who had already seen Nicks solo and witnessed her sing “Rhiannon” I naively thought I had already experienced the best of the Mac. I was wrong. The best of the Mac might be when the band decided to reclaim their blues roots and perform the Peter Green-written “Black Magic Woman” with Nicks in full, glorious witch-rock mode. It’s an amazingly macabre look that I didn’t know Fleetwood Mac had in them and I’m completely turned around on them because of it.

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The Fleetwood party and dance band.

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7) Nick Cave @ Scotiabank Arena, October 28, 2018 (#93 on the list)

I get the Nick Cave devotion now. I mean, as a concept I’ve always thought Cave was cool, but his records never moved me all that deeply and the film he wrote (The Proposition) had probably affected me more than any song he’d ever sung. Seeing Cave live, though, is a far different experience. It’s like a Springsteen rock ‘n’ roll communion, except for sort of people who own complete Leonard Cohen poetry collections. Live, Cave’s an intuitive, showy, sleazy, Vegas-y, hearty and genuine showman who’s personal connection to his audience is amazing to behold. Also, the bold noise The Bad Seeds make feels like they’re subverting the whole idea of “arena” rock, which is delicious in its way.

6) Destroyer @ Phoenix Concert Theatre, January 22, 2018 (#103 on the list)

I wasn’t sure what to expect from this show, but I was very pleasantly surprised by what it was — an eight-piece jazz/prog/lounge art freakout that featured Dan Bejar flanked by a saxophonist and trumpeter who took turns adding their own wig outs throughout the set. The set list was mainly the new album ken and Kaputt so I was pretty keen because those are the two best Destroyer albums. It was all around a totally rewarding night.

5) Frank Turner @ Phoenix Concert Theatre, September 20, 2018 (unrated)

There are a lot of acts out there trying to pull off the Springsteen working man rock thing. Unfortunately, most of them only rate as photocopies of photocopies of The Boss. Turner’s not like that. He’s got his own rock-punk posi-gospel thing going down and, paradoxically, because of that Turner’s show is probably the closest to a Springsteen-like musical sermon I’ve seen from the younger generation.

4) The Pursuit of Happiness @ Supermarket, October 4, 2018 (unrated)

In the last few years I’ve managed to catch a number of ’80s Can-Rock heroes (Northern Pikes, Crash Vegas, Slow) I had never listed because I never realistically thought there’d ever be a chance to see any of them ever play again. When TPOH got back together to play a show to support the reissue of their perfect Love Junk album I put on the rare (for me) industry hustle to get into the small club show. It worked and I got to witness some of my all-time favourites (“Consciousness Raising As A Social Tool,” “I’m An Adult Now,” “Beautiful White”).

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Consciousness raising as a social tool.

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3) Suicidal Tendencies @ Phoenix Concert Theatre, July 25, 2018 (#34 on the list)

This was supposed to be a fun nostalgia trip where I could celebrate listening to “Institutionalized” and “Possessed To Skate” some three decades ago, but it ended up being far more than that. It turns out I had internalized many of these thrash-punk-metal songs far more than I had ever realized. I hadn’t listened to songs like “You Can’t Bring Me Down” in almost 30 years, but the righteous rage behind them came right back.

2) John Mellencamp @ Meridian Centre, St. Catharines, October 7, 2018 (#6 on the list)

Pursuing this list over the years has given me a special kind of clarity about what I’m willing and not willing to do in order to see a desired show. Things like cost, whether it’s a seated or standing venue, the weather, and whether I’ve got other social obligations are just some of the factors that go into a decision-making stew to cross-reference against The List. For John Mellencamp I was willing to ruin Thanksgiving. Well, not my Thanksgiving, so much as my attendance at my in-law Thanksgiving, which I skipped in order to see the man formerly known as Cougar. And it was worth it. I cried like five times and was pretty choked a half-dozen others. All those songs I loved from the Scarecrow album still hit and still have all the gravitas of back when I first discovered them — “Minutes To Memories” was heavy, “Small Town” fucking killed… it was all hits with heart. Also, the new songs were soooo woke. It was probably the first and only time an audience of old white people from St. Catharines would ever be confronted with a song about Black Lives Matter and were forced to consider it. Same with issues like immigration and racism. Basically, Cougar came into this backwoods city and preached. Also, it’s remarkable now that I can see it more clearly how much the politics of a record like Scarecrow shaped my world/political/moral values some decades later. Shows like this are why The List exists.

1) Neko Case @ Danforth Music Hall, September 24, 2018 (#25 on the list)

Technically, I’ve seen Neko Case a number of times already, although all of those times have been as a member of The New Pornographers. Which is weird because I enjoy her solo work far more than the Pornos. That said, when I finally got to see Case on my birthday this year I wasn’t expecting to have it affect me as deeply as it did. What’s clear is that Neko is a glorious, unique voice and no matter what she was singing (this night’s setlist skipped handfuls of my personal faves) she has the ability to turn each song into magic. “Maybe Sparrow,” “Margaret vs Pauline,” “Deep Red Bells,” “Look For Me I’ll Be Around”… I just have to look at that list and I not only can remember how wonderful they were, I can almost feel them again. If that’s not a sign of having experienced something beyond, I don’t know what is.


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4 Toughest Scheduling Conflicts Between TURF TO And Riotfest Toronto Festivals

TURF and Riotfest Festivals are both in Toronto this weekend.

TURF and Riotfest Festivals are both in Toronto this weekend.

With Toronto now designated as one of the official alphas of the North American touring music scene it often means an embarrassment of riches in terms of acts coming to the area to perform.

It also means that sometimes music lovers have to make difficult decisions about what shows they’d like to attend. Like this weekend, for instance. The three-day Toronto Urban Roots Festival (Sept. 18-20) being held at Fort York and the two-day Riotfest Toronto (Sept. 19-20) taking place at Downsview Park will both bring high-profile international and well-loved local acts together for open-field rocking of a sort that makes it tremendously difficult to decide which to attend.

Unless you’re some sort of superhero whose power is to be two places at once you just can’t win. Want proof? Check out these four scheduling conflicts between acts hitting the stages at TURF and Riotfest:

Echo And The Bunnymen (Riotfest) vs. Choir! Choir! Choir!
5:10 pm, Saturday, Sept. 19

On one side you’ve got the most brooding of original new wave goth acts and their near-perfect song “Killing Moon.” On the other you’ve got joy, wonderment, participatory singalongs and potentially transcendent communal experience. I, for the record, am not a person who naturally gravitates towards joy. Take that for what you will.

Motorhead (Riotfest) vs. Cake (TURF)
8:30 pm, Saturday, Sept. 19

Let’s face an uncomfortable truth here: Lemmy’s going to die soon. This one isn’t a conflict. If you’ve never seen Motorhead before and you think you should you MUST try to see them at any opportunity that presents itself.

Wu Tang Clan (Riotfest) vs. Neko Case (TURF)
7 pm, Sunday, Sept 20

There’s likely little overlap between these two fanbases anywhere other than my apartment, but this battle of rap vs. croon can have no winner. If pressed I’d lean slightly more pro-Neko because I can get more of what I want out of the Wu by watching a straight up Ghostface Killah (the king) show instead.

The Prodigy (Riotfest) vs. Pixies (TURF)
7 pm, Sunday, Sept 20

Granted, the Pixies have ground just about everything they could out of this reunion of theirs while The Prodigy’s return to the living is a kind of fun reminder of that second wave electronica movement in the ’90s. But when it comes down to it, which song is more important for you to hear surrounded by thousands of people, “Smack My Bitch Up” or “Here Comes Your Man”?

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How Covering Neko Case Might Save A High School

Neko Case

Neko Case

There’s shady work afoot in Peterborough, Ontario where the local arts-focused high school Peterborough Collegiate and Vocational School may end up getting closed.

Some enterprising students are campaigning against this happening, though, and a pair of singers named Kate And Janelle have gone viral with their protest, which comes in the form of a Neko Case cover.

Aaron tracked the gals down to talk about their school and meeting Neko, all with some bonus commentary from PCVS alumni Serena Ryder.

To read the story at Spinner click here.



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My Women Of 2011 Mixtape Contains Zero Artists Who Performed At The Last Lilith Fair

PJ Harvey

PJ Harvey

I just made an awesome mixed CD which I’ll be leaning on during my Christmas Tour Around Ontario 2011™ over the next few days.

The theme for this disc was “Women Of 2011,” as in a compilation of songs from female-fronted artists I dug this year. Looking over the list, it dawned on me that although many of them are emerging as the voices of this generation, none of them played last year’s dismal Lilith Fair.

Now either these artists were too cool to do Lilith, or they weren’t asked. Either way, what I’m taking from it all is that by dodging that lameness bullet they’re all even more amazing.

Here’s my mix:

PJ Harvey “In The Dark Places”
Lana Del Rey “Blue Jeans”
Florence And The Machine “What The Water Gave Me”
Feist  “Undiscovered First”
Cat’s Eyes “Face In The Crowd”
Tasseomancy “Diana”
Danger Mouse & Daniele Luppi “Season’s Trees”
Austra “The Beast”
Lykke Li “Jerome”
Tennis “Seafarer”
My Brightest Diamond “Feeling Good”
Lindi Ortega “Little Red Boots”
Neko Case “The Pharoahs”
Nicole Atkins & The Black Sea “The Tower”
Anna Calvi “The Devil”
Chelsea Wolfe “PALE ON PALE”

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