RF Shannon — Jaguar Palace (Album Review)

RF Shannon's Jaguar Palace

RF Shannon’s Jaguar Palace

The working description of Texans RF Shannon’s music is “South West R&B and psychedelic trail ballads.” The R&B side may be a bit difficult to unpack, but the “psychedelic trail ballads” part is particularly spot on when characterizing the six songs on the Jaguar Palace album.

Jaguar Palace doesn’t work because of its individual songs — hazy, languid and often clocking in at over six minutes apiece, they’re winding snapshots of moderate sonic intrigue. Taken as a full collection, however, Jaguar Palace is a panorama, a sprawling 360 degree exploration of twilight desert night skies, lonely roads and railroads, and the end-of-the-line one-gas station towns inhabiting those edges.

It’s the smaller moments in this musical universe that make you feel like you’ve just stumbled upon a long lost ghost town. “Tell My Horse” may be the dark inverse to America’s “A Horse With No Name,” with its foreboding keys, otherworldly slide and chaotic shoegaze touches. “Had a Revelation,” the relative peppiest track on the album, ends up being less about RF Shannon leader Shane Renfro’s revelations and more about one’s own epiphanies that take place while listening. “Hottevilla,” meanwhile, provides the most headphone fodder to get lost in. The slow draw of its beginning recalling the more discreet moments on Godspeed You! Black Emperor albums and its dizzying flute parts add dangerous firefly flare-ups for the mind to chase.

This carefully crafted world created by RF Shannon triangulates the swirling cosmology of A Storm In Heaven-era Verve, the hypnotic guitar lines of Neil Young’s “On The Beach” and some of Calexico’s more downtempo moments to create something of meditative, lasting beauty.

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Why Julia, Sesame Street’s New Autistic Muppet, Is Valuable

Julia, Sesame Street's autistic Muppet

Julia, Sesame Street’s autistic Muppet

Sesame Street has just introduced a new autistic Muppet character named Julia.

There are a number of reasons why this new character is valuable. For one, it will better enlighten non-autistics on how to share the world with autistic persons. Likely more important, though, it will give autistic persons a valuable reference tool to help them navigate the world.

Using television characters as guides to navigating the real world can be an uneven pursuit.

Sarah explained why in her debut post for Vox’s “First Person” section.

To read the full story go here.

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Filed under Culture, Health, Relationships, Shameless Promotion, Television

Baseball Fights Take The “Art” Out Of Martial Arts

Not artful fighting

Not artful fighting

In an ongoing semi-regular series, Sarah has been tasked by Fightland with trying to contemplate the artlessness of the fights that occur in non-“fight” sports.

For her latest assignment she looked at baseball and found there to be lots of posturing, lots of flailing, but not much in the way of effective striking.

To read the full story click here.

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Oasis Say Rivers Cuomo “Like Yoda,” Wish They Could’ve Played Live 8 To Humiliate Robbie Williams

Oasis

Oasis

Surly rockers Oasis have an unlikely new adversary — Auburn, New York heavy metal band Manowar. That’s what happens when you stop singer Liam Gallagher in mid-brag about how Oasis are “like, the loudest band in the fucking world onstage” and tell him that the Guinness Book Of World Records instead favours Manowar.

“But they’re loud and shit though, aren’t they? They’re just shit,” Gallagher says emphatically. Seated beside him, bassist Andy Bell is somewhat perplexed.

“Who are they anyway?” Bell asks. “Heavy metal?”

“Fuck Manowar,” interjects Gallagher decisively.

There’s a pause as Liam’s insult sinks in. Then Bell replies dryly, “That was a good point anyway. A bit blunt of you, but well made.”

Equally blunt and well-made is the newest Oasis record, Don’t Believe The Truth. It’s a decided return to form after the disappointment of 2002’s Heathen Chemistry. But that’s all information a listener will be able to glean for themselves. When presented with an opportunity to chat up one of the battling Gallaghers there’s more important things to discuss.

Like Weezer.

“Yeah, we met [Weezer],” says Gallagher. “I like ’em. They’re one of those bands you see on TV and go, ‘I just like ’em.’ I think they’re pretty alright.”

Gallagher saves his highest praise for Weezer’s frontman Rivers Cuomo.

“Very strange man, him,” says a bemused Gallagher. “He’s my new favourite rock star. He freaked me out.

“He’s just the total opposite to me, man. He’s just very timid. He’s like Yoda or something. But I respect that.

“He’s a top man. There’s totally a place for him. He’s like the Andy Warhol of fucking music, that’s what I think.”

There won’t, however, be a place for Oasis at the big London, U.K. edition of the Live 8 festival on July 2. According to Liam, it’s not because they didn’t want to, though. They were already booked for a sold out gig at the City Of Manchester Stadium.

“If we were free we’d be there, man,” says Gallagher. “And I am a bit disappointed, but that’s life, man. Our shows were booked. And I had a word with management the other day, and I said, ‘Look, I feel a bit guilty.’ Everyone’s down there doing all this, know what I mean? We’re down the road doing our thing. A little bit of guilt kicked in. I thought maybe we should fucking book… then it’s 60,000 kids disappointed.

“But if we weren’t doing a gig that day we’d have been there without a doubt. And I’d love to. Y’know why I’d love to do that gig?

“First of all, it’s fucking awareness and all that stuff,” he says, before getting to the real meat of why he wanted to play. “I just love to go on and do four fucking songs and really fucking rip it up. Come in and fucking bang it with fuckin’ four of your classics. And walk off. And fucking flick Robbie Williams in the eye and say, ‘Follow that you dick!'”

This story was originally published June 24, 2005 via Chart Communications.

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The Problem With Judging Others’ Food Choices

There’s so much more to eating food than just “does it taste good?”

Every bite of food you eat reflects all sorts of cultural and class struggles, and social and health issues.

It’s also an area where judgmental sorts would be better off sitting down and keeping quiet.

Sarah explained why in a recent piece for The Establishment.

To read it go here.

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