Living A Real-Life Twin Peaks

RIP Laura Palmer

RIP Laura Palmer

When Twin Peaks debuted in 1990 it basically launched a genre — pretty blonde girl gets murdered in small town, everything goes bonkers.

But what if you actually lived in a real town where something like that happened?

Sarah did. She lived in Welland, Ontario around the time the truly evil pair of Paul Bernardo and Karla Homolka were terrorizing the Niagara area.

She wrote about what it was like at that time in a feature story for Consequence of Sound’s Twin Peaks Week series.

To read the full story go here.


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Atypical, The Good Doctor And Pop Culture’s Use Of Autistic Characters



There’s new tool in the character creation toolbox of film and television writers in 2017 — autism.

Want to make a character a little bit different? Sprinkle some autism on him.

Shows like Atypical and The Good Doctor have done this. They’ve been far from perfect, though.

Sarah explained why in an essay for Electric Lit.

To read more click here.


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Neil Young Cuts Through Le Noise At Massey Hall

Neil Young at Massey. (Copped this pic from Toronto Star.)

Neil Young at Massey. (Copped this pic from Toronto Star.)

LIVE: Neil Young
May 10, 2011
Massey Hall
Toronto, Ontario

Neil Young’s sold out Tuesday night show at Toronto’s Massey Hall was billed as a solo performance, but there was another pair of invisible guiding hands at work as well — those of Ancaster-born, U2 king-maker/super-producer Daniel Lanois.

While Young fell short of recreating the dizzy loops, echoes and fades that make his Lanois-produced latest album Le Noise such intoxicating headphone fodder, there was a barely sublimated sonic adventurousness — a hint of musical mischief and menace — that elevated the evening’s set into something more than just Neil. On a stool. At Massey.

Young’s experiencing a bit of a next-gen renaissance thanks to Le Noise, so it wasn’t particularly surprising the 65-year-old grunge godfather leaned heavily on the new album. Six of the 17 songs Young played were from the new record, but it was just as often what he did to his “classic” songs that revealed what his goal for the set was.

House-warmers “My My, Hey Hey (Out Of The Blue),” “Tell Me Why” and “Helpless” were played reasonably straight. The crowd — more sport-jacket and recently trimmed hair than hippie burnout (no doubt the result of a more evolved ability to navigate the minefield that is modern ticket purchasing) — was particularly moved by “Helpless,” going so far as to sing along to the chorus with about the same volume and self-consciousness as Leafs fans doing the first verse of “O Canada” at the ACC.

Rapt silence was the more appropriate response for Le Noise track “Peaceful Valley Boulevard.” A gauzy, sprawling number on record, it was equally haunting live and could fairly match melancholy Young masterpieces like “On The Beach” and “Expecting To Fly.”

The next two songs — Le Noise‘s confessional “Love And War,” and all-timer “Down By The River” — started to reveal the outline of the Lanois impact on Young’s performance. It wasn’t so much about Young copping signature Lanois sounds as it was about watching Young wandering across the stage, coaxing bits of feedback from his amps, or impishly turning the chorus of “Down By The River” into a five-second primer on My Bloody Valentine.

It was this casual tinkering while strolling about the various guitars, pianos and organs which was what making Le Noise must have looked like. Except instead of Young, guitar slung over his shoulder, all poking around Lanois’ house for an audience of one, here he was doing so in front of 2,800 people.

Young’s re-imagining of “Cortez The Killer” was a particularly good example. Its intro disguised by a brief squalling shock, Young eventually emerged from his soundcloud to lay down a version you just knew was exactly like one Lanois might have coaxed him to play while the two were defining the identity of the latest album.

That’s when it became clear what Young was doing. He wasn’t just rote recreating the sounds of Le Noise for the audience last night, he was trying to recreate “the vibe,” as he experienced it, of his own adventure in le noise.

And when he closed the show with the single encore “Walk With Me” and its opened-armed plea “I’m on this journey/I don’t want to walk alone,” he managed to bring a lot of people with him.

Neil Young setlist for May 10, 2011:

“My My, Hey Hey (Out Of The Blue)”
“Tell Me Why”
“You Never Call”
“Peaceful Valley Boulevard”
“Love And War”
“Down By The River”
“Sign Of Love”
“After The Goldrush”
“I Believe In You”
“Cortez The Killer”
“Cinnamon Girl”

“Walk With Me”

This live review originally appeared in The Grid (RIP) in May 2011.

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How Anti-Vaxxers Hurt Autistics

Around the Risky Fuel household we mostly consider anti-vaxxers to be crazytown bananapants wackadoodles.

That said, their backwards anti-science rhetoric can cause people genuine harm. Particularly to autistic individuals because of the (thoroughly scientifically debunked) notion that vaccines cause autism.

Sarah wrote about this issue in a column for

To read it click here.

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Polaris Podcast vs The 2017 Short List

Polaris Podcast EP7 was live from Ottawa.

Polaris Podcast EP7 was live from Ottawa.

When the Polaris Music Prize released its ten album 2017 Short List it also enlisted CBC Music and a batch of jurors to talk about what made the list, and what didn’t.

The Polaris folks then turned the result of that conversation into episode eight of the Polaris Podcast.

The most helpful way people can listen to the podcast would be by subscribing to it in iTunes. But those craving convenience can listen to it below on Soundcloud.

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John le Carré’s Sad Spies Represent A Better Masculinity

Tinker Tailor Soldier Spy

Tinker Tailor Soldier Spy

The Risky Fuel household is particularly pro-John le Carré and pretty much support all the author does while writing about spies with father issues who constantly get betrayed by the institutions they served.

Sarah argues these broken men, full of feelings, represent a better vision for masculinity than the traditional dude hero type.

She explained why in an essay for Electric Lit.

To read it go here.

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Socially Conscious Video Games For Change

Games For Change

Games For Change

I recently interviewed Susanna Pollack, the president of the organization Games For Change, about how her organization hopes to use video games — both the creation and playing of — as a social tool to help young people with less opportunity.

There’s also a Lady Gaga connection in all of this.

To read the story head over to Samaritanmag by clicking here.

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