Author Archives: Aaron Brophy

TIFF 2018: First Man Is A Simple, Effective Look At Apollo 11

First Man

First Man

In First Man actor/musician/meme Ryan Gosling takes on the role of Neil Armstrong, the first man to walk on the moon.

When Sarah saw the film at TIFF this year she appreciated the simple physical storytelling of the film.

To find out why head over to Consequence Of Sound by clicking here.

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A Tribe Called Red’s Bear Witness On The Expanding Halluci Nation

A Tribe Called Red's Bear Witness

A Tribe Called Red’s Bear Witness

Genre and culture expanding electronic act A Tribe Called Red have been hard at work converting their We Are The Halluci Nation album into an actual nation of a sort.

If not a “nation” in the traditional geo-political sense, it’s certainly taking shape in the art and music world.

I spoke to band member Bear Witness about this evolution in advance of the X Avant festival this fall.

To read the interview head over to Samaritanmag by clicking here.

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Real Autism Explained, For Hazlitt

This past summer Sarah wrote an essay for literary site Hazlitt exploring what real autism was like.

The story ended up being one of the site’s most read throughout the year.

To read the full piece head over to Hazlitt by clicking here.

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Samaritan News 10 Pack: Cold Manitoba, Drake, More

Cold Manitoba

Cold Manitoba

I continue to contribute to the charitably-minded entertainment site Samaritanmag.

Here are some pieces I contributed in the fall:

Midnight Shine’s New Video Tackles Suicide, Depression Crisis In Far North

Donating To Royal Canadian Legion Poppy Campaign Helps Homeless Veterans

Drake Posts Heartfelt Message for Make-A-Wish Pal Who Died

Halloween Alley Retail Chain Running Donate-A-Costume Program

Walkin’ & Rollin’ Turn Childrens’ Wheelchairs Into Amazing Halloween Costumes

Pittsburgh Tree Of Life GoFundMe Has Raised $566k For Shooting Victims

Blue Rodeo, Sheepdogs, Deep Dark Woods Members Team Up For Cold Manitoba Project Inspired By Gord Downie

Willie Nelson Using New Song To Encourage Voting Against Ted Cruz, Supporting Texas Refugee Organization

Gord Downie Tribute Concerts To Raise Funds For His Charity One Year After His Death

Avril Lavigne’s First Song In Five Years Kicks Off Campaign To Support Lyme Disease Sufferers

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Polaris Podcast EP 21 Explores Bubbling Under Acts

Polaris Podcast EP7 was live from Ottawa.

We used this episode to highlight some of our favourite albums which didn’t make the 2018 Long List.

These included Woolworm’s Deserve To Die, Laura Sauvage’s The Beautiful, Souljazz Orchestra’s Under Burning Skies and L CON’s Insecurities in Being.

This and other Polaris Podcast episodes can be found on iTunes, Google Play or Spotify.

Or, to make it easy, you can listen to it right here:

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10 Best Before They Die Concerts Of 2018: Neko Case Is #1

Suicidal Tendencies live in Toronto.

Suicidal Tendencies live in Toronto.

Those closest to me know I’ve been on a years long quest to see live performances from a meticulously curated list of musical legends and personal favourites “before they die.”

Said list, which has a 100 active acts on it at all times and is prioritized based on 1) how much I love an act, 2) how soon I think they’re going to die, and 3) how rarely they tour, has guided me on numerous adventures and (mis)adventures over the years. Mostly, though, it has allowed me to witness a lot of music greats doing musically great things.

For the first time ever, I’ve compiled my 10 best Before They Dies of the year. Here they are:

10) Jeff Lynne’s Electric Light Orchestra @ Scotiabank Arena, August 18, 2018 (#52 on list)

Lynne isn’t exactly a dynamic frontman, but the band was excellent, the stage and light show was a trip and the music was undeniable, even though the setlist was surprisingly front-loaded. I had an alternating mix of “Showdown” and “Evil Woman” in my head for weeks after this. Always a good sign.

9) The Horrors @ Horseshoe Tavern, June 19, 2018 (#76 on the list)

One of the key things I’ve learned about The List over the years is that when an act from overseas is in town, you do your damnedest to make sure you go see them. Technically, there wasn’t all that much to “see” at The Horrors’ show — they’re mostly a bunch of Edward Scissorhand silhouettes swaying in low light obscured by fog machine smoke — but that made what was heard all the better. Live, there’s added nuance to the band’s lysergic goth rock, revealing itself in a bold synth line here, a guitar squelch there and in a vibe that makes you feel you’re experiencing masters of their craft.

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The Horrors!

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8) Fleetwood Mac @ Scotiabank Arena, November 5, 2018 (unrated)

I didn’t know I needed the Mac in my life. This, because as a Stevie Nicks devotee who had already seen Nicks solo and witnessed her sing “Rhiannon” I naively thought I had already experienced the best of the Mac. I was wrong. The best of the Mac might be when the band decided to reclaim their blues roots and perform the Peter Green-written “Black Magic Woman” with Nicks in full, glorious witch-rock mode. It’s an amazingly macabre look that I didn’t know Fleetwood Mac had in them and I’m completely turned around on them because of it.

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The Fleetwood party and dance band.

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7) Nick Cave @ Scotiabank Arena, October 28, 2018 (#93 on the list)

I get the Nick Cave devotion now. I mean, as a concept I’ve always thought Cave was cool, but his records never moved me all that deeply and the film he wrote (The Proposition) had probably affected me more than any song he’d ever sung. Seeing Cave live, though, is a far different experience. It’s like a Springsteen rock ‘n’ roll communion, except for sort of people who own complete Leonard Cohen poetry collections. Live, Cave’s an intuitive, showy, sleazy, Vegas-y, hearty and genuine showman who’s personal connection to his audience is amazing to behold. Also, the bold noise The Bad Seeds make feels like they’re subverting the whole idea of “arena” rock, which is delicious in its way.

6) Destroyer @ Phoenix Concert Theatre, January 22, 2018 (#103 on the list)

I wasn’t sure what to expect from this show, but I was very pleasantly surprised by what it was — an eight-piece jazz/prog/lounge art freakout that featured Dan Bejar flanked by a saxophonist and trumpeter who took turns adding their own wig outs throughout the set. The set list was mainly the new album ken and Kaputt so I was pretty keen because those are the two best Destroyer albums. It was all around a totally rewarding night.

5) Frank Turner @ Phoenix Concert Theatre, September 20, 2018 (unrated)

There are a lot of acts out there trying to pull off the Springsteen working man rock thing. Unfortunately, most of them only rate as photocopies of photocopies of The Boss. Turner’s not like that. He’s got his own rock-punk posi-gospel thing going down and, paradoxically, because of that Turner’s show is probably the closest to a Springsteen-like musical sermon I’ve seen from the younger generation.

4) The Pursuit of Happiness @ Supermarket, October 4, 2018 (unrated)

In the last few years I’ve managed to catch a number of ’80s Can-Rock heroes (Northern Pikes, Crash Vegas, Slow) I had never listed because I never realistically thought there’d ever be a chance to see any of them ever play again. When TPOH got back together to play a show to support the reissue of their perfect Love Junk album I put on the rare (for me) industry hustle to get into the small club show. It worked and I got to witness some of my all-time favourites (“Consciousness Raising As A Social Tool,” “I’m An Adult Now,” “Beautiful White”).

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Consciousness raising as a social tool.

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3) Suicidal Tendencies @ Phoenix Concert Theatre, July 25, 2018 (#34 on the list)

This was supposed to be a fun nostalgia trip where I could celebrate listening to “Institutionalized” and “Possessed To Skate” some three decades ago, but it ended up being far more than that. It turns out I had internalized many of these thrash-punk-metal songs far more than I had ever realized. I hadn’t listened to songs like “You Can’t Bring Me Down” in almost 30 years, but the righteous rage behind them came right back.

2) John Mellencamp @ Meridian Centre, St. Catharines, October 7, 2018 (#6 on the list)

Pursuing this list over the years has given me a special kind of clarity about what I’m willing and not willing to do in order to see a desired show. Things like cost, whether it’s a seated or standing venue, the weather, and whether I’ve got other social obligations are just some of the factors that go into a decision-making stew to cross-reference against The List. For John Mellencamp I was willing to ruin Thanksgiving. Well, not my Thanksgiving, so much as my attendance at my in-law Thanksgiving, which I skipped in order to see the man formerly known as Cougar. And it was worth it. I cried like five times and was pretty choked a half-dozen others. All those songs I loved from the Scarecrow album still hit and still have all the gravitas of back when I first discovered them — “Minutes To Memories” was heavy, “Small Town” fucking killed… it was all hits with heart. Also, the new songs were soooo woke. It was probably the first and only time an audience of old white people from St. Catharines would ever be confronted with a song about Black Lives Matter and were forced to consider it. Same with issues like immigration and racism. Basically, Cougar came into this backwoods city and preached. Also, it’s remarkable now that I can see it more clearly how much the politics of a record like Scarecrow shaped my world/political/moral values some decades later. Shows like this are why The List exists.

1) Neko Case @ Danforth Music Hall, September 24, 2018 (#25 on the list)

Technically, I’ve seen Neko Case a number of times already, although all of those times have been as a member of The New Pornographers. Which is weird because I enjoy her solo work far more than the Pornos. That said, when I finally got to see Case on my birthday this year I wasn’t expecting to have it affect me as deeply as it did. What’s clear is that Neko is a glorious, unique voice and no matter what she was singing (this night’s setlist skipped handfuls of my personal faves) she has the ability to turn each song into magic. “Maybe Sparrow,” “Margaret vs Pauline,” “Deep Red Bells,” “Look For Me I’ll Be Around”… I just have to look at that list and I not only can remember how wonderful they were, I can almost feel them again. If that’s not a sign of having experienced something beyond, I don’t know what is.

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TIFF 2018: Halloween Reboot Is Kinda Fan Fiction (With Bonus Podcast)

Halloween

Halloween

The rebooted Halloween horror franchise is a really big deal in some (bloodthirsty) circles, so Sarah was assigned to cover the film when it showcased at TIFF this fall.

Her opinion: It’s kinda fan fiction-y, but it works.

To read her whole review head over to Consequence Of Sound by clicking here.

If that’s not enough Michael Myers content, Sarah also appeared on Consequence’s themed-Halloweenies podcast to discuss the film. You can listen to that here:

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