Category Archives: Dance

I Want To Go To There: The Luminato6 Edition

Luminato, Toronto’s big, arty theatre/ music/ magic/ visual arts/ dance/ literary/ food/ everything festival announced the full lineup for this year’s event (a.k.a. Luminato6) yesterday at the Sony Centre.

Here at Risky Fuel, we love at least half of the things that Luminato, 6 or otherwise, celebrates, so I went down to check out what they have to offer this year.

The main highlights for our fellow indigent music lovers are obvious, as this year’s free concert series at David Pecaut Square (which will be fitted with dancing windsocks for the entirety of the festival) will include shows by K’naan (Friday, June 8), Rufus Wainwright (Saturday, June 10) and a matinee event with Dan Mangan and Kathleen Edwards (Saturday, June 16), but there were a number of events that I found just as, if not more, intriguing.

Here are, at random, five that got me disproportionately excited:

Love Over and Over: The Songs of Kate McGarrigle

June 15, Massey Hall

Kate McGarrigle was awesome for giving us her children, Rufus and Martha Wainwright, but she was also quite brilliant in her own right. The McGarrigle sisters wrote some absolutely lovely music and they sung even more beautifully, with a pitch-perfect and intuitive gift for harmony that no one (save for maybe the twins of Tasseomancy) has been able to match since.

This year at Luminato, family, friends and fans will be paying tribute to the late folk icon with a star-studded performance of her music. Anna McGarrigle, Rufus, Martha, Bruce Cockburn, Mary Margaret O’Hara, Emmylou Harris, Jane Sibbery, and members of Broken Social Scene and Stars, are scheduled to appear, so this concert is basically a music geek’s wet dream, and the closest we’ll get to a live version of the incredible McGarrigle Hour album now that we’ve lost Kate.

Irvine Welsh

June 12, TIFF Bell Lightbox

The Scottish author who made me feel like the biggest bad ass when I was a hopelessly bookish teenager is releasing a prequel to Trainspotting called Skagboys and he’s coming to Toronto to talk about it. This fills me with all sorts of twisted nostalgia, because I miss Sick Boy, Begbie and Renton. And my own youth.

Deltron 3030

June 11, David Pecaut Square

I made this graphic to represent my love for Lovage.

Deltron 3030, better known in the Risky Fuel household as “A Significant Part of Lovage,” will be playing with Montreal’s Nomadic Massive. This is exciting for me, because it means the chance to see Nathaniel Merriweather himself, Dan the Automator, along with Kid Koala. And then I’ll try my hardest to pretend that Mike Patton and Jennifer Charles are there, because this is the closest I will ever, ever get to my beloved Lovage again.

Toronto Carretilla Initiative

June 8-17, The Distillery District and various places through the city

According to the press release, “For Austrian-born artist Rainer Prohaska, preparing and consuming food is a fine art. The Toronto Carretilla Initiative sets to boldly immerse audiences in the process of cooking across the city. The project marks the  first time that Luminato’s Food Program will include an experience that marries elements of visual arts with culinary craft.”

Basically,this dude is going to set up arty installations in which people can prepare food and then eat it. Then he closes up the show and moves on to the next location. It sounds both weird and delicious, which are two things that truly speak to me. Locations will be announced on the Luminato website as the event progresses in case you want to stalk the food-making sculptures with me.

Stewart Goodyear: The Beethoven Marathon

June 9, TELUS Centre for Performance and Learning, Koerner Hall

Concert 1, 10:00 a.m. 1:45 p.m., 3 hours and 45 minutes with intermission

Concert 2, 3:006:30 p.m., 3 hours and 30 minutes with intermission

Concert 3, 8:3011:30 p.m., 3 hours with intermission

This crazy bastard is going to play Beethoven for over 10 hours!

I’m excited about pianist Stewart Goodyear’s attempt to play all 32 of Beethoven’s sonatas in the course of one day (it’ll take over 10 hours in total) for three reasons:

1. It’s a genuinely interesting undertaking.

2. It sounds like something the latest BBC incarnation of Sherlock would do when he’s bored and then Watson would act completely annoyed by the project, but he’d still smile and lick his lips and begrudgingly tolerate the whole experiment, because he loves his nutjob flatmate.

3. As a fitness geek, I’m really curious to know what, if any, training he’s doing for this event. Almost 11 hours of physical activity, even with intermissions, is extremely demanding. How is he building the endurance to handle this? What is he going to eat/drink to refuel himself during those breaks? Is it even possible to remain alert and proficient enough to play piano well after that long, no matter how good and how well prepared you are?

Luminato runs from June 8 – June 17 this year. Go visit their website (launching soon) for more details.

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Six Extremely Detailed Descriptions Of Rock Musicals We’d Like To See

Scenes From American Idiot, The Musical

Scenes From American Idiot, The Musical

There’s been a lot of talk in the Risky Fuel household over the years about things like Pippin, Cabaret, and Hair. All of it by Sarah.

She’s moderately obsessed with musicals and has crafted a number of fake ones in her head. It would seem the enablers at AUX TV thought it would be cute to set her loose and reveal some of these ideas. The result: storylines for musicals about Bon Jovi, Arcade Fire, Rush, The Dandy Warhols and Brian Jonestown Massacre, Joel Plaskett, and the topper, a gay love triangle called Heavy Metal: The Musical set to Judas Priest songs.

You can read all about said musicals by clicking here.

 

 

 

 

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How Kidz Bop De-Pervertizes Katy Perry Lyrics

Kidz Bop 21 is free of ANYTHING that would scare your kids

Kidz Bop 21 is free of ANYTHING that would scare your kids

There’s a thing called the Kidz Bop series and it’s a really big deal. Basically, producers get a bunch of next generation Disney kids together and they sing reworked versions of popular Top 40 radio hits with all the sex, drugs, violence, innuendo, negativity, religion, and any other potentially controversial language smoothed out of the songs and usually replaced with the words “dance” or “dance, yeah!”

Sarah spent an unnaturally long time listening to the kidz-ified versions of songs by LMFAO, Katy Perry, Lady Gaga, Maroon 5, Rihanna and a pile of others on the recently released Kidz Bop 21. She then compared the kidz versions to the originals to find out how youth-friendly they’ve been made.

You can read about her results over at the AOL Music Blog by clicking here.

 

 

 

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Degrassi Star Becomes An American Idiot

Jake Epstein in American Idiot

Jake Epstein in American Idiot

Team Risky Fuel was so full of existential angst after checking out the Canadian debut of Green Day’s American Idiot musical that we had to dig a little deeper.

So Sarah tracked down Jake Epstein, one of American Idiot’s main performers, to get the lowdown on what it’s like channeling Billie Joe Armstrong every day. Along the way Jake, who played Craig Manning on cult series Degrassi: The Next Generation, also dished on his former castmate Drake, Glee, and subversive musical Spring Awakening.

You can read the story at Spinner by clicking here.

 

 

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Green Day’s American Idiot Awakens Angst

American Idiot cast member Scott J. Campbell

American Idiot cast member Scott J. Campbell

Aaron and I went to the opening of American Idiot at the Toronto
Centre For The Arts on Thursday night. He went out of a slightly
morbid curiosity. I went because I was reared on alternative rock and
show tunes in almost equal measure, and the show seemed like it was
made especially for me.

As a rocker, I was more amused than satisfied with the production. But
as a Broadway baby, I was completely entranced.

The 90 minute musical based on Green Day’s 2004 concept album of
the same name isn’t a perfect marriage of rock ’n’ roll and musicals,
but it is a very good musical that is fueled by the spirit of rock.
Much like Spring Awakening (director Michael Mayer’s other
groundbreaking show that infused popular music with a more traditional
theatre structure) used pop to express sexual frustration and coming
of age melancholy, Idiot harnesses Green Day’s fury, frustration and
passion to tell the story of a trio of friends facing a post-9/11
world.

Indeed, American Idiot is almost a companion piece to Spring
Awakening, or at least its angsty big sister. If Spring Awakening is a
pubescent teen flailing around, furiously masturbating and learning
about love and loss for the first time, then Idiot is on the verge of
adulthood, clad in combat boots and existential crises, writing angry
poetry about an empty world that is nothing like the one they were
promised.

The plot is bare bones to the point of abstraction (it’s really not
much more complex than the high concept pitch I tossed out two
paragraphs ago) but Idiot is more about feeling than story. And
everything from the choreography, the balls-out performances by the
cast, and the brilliant stage design really nails that essence. It’s
not quite as in-your-face as an actual rock concert, but American
Idiot is one of the most visceral musicals I’ve ever seen – although
experienced is probably a more accurate description.

American Idiot runs until January 15 at the Toronto Centre For The Arts
The cast will also be performing as part of CityTV’s New Year’s Eve
Festivities tonight.

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